✏️Nathan Yau - Collected Quotes

"A common mistake is that all visualization must be simple, but this skips a step. You should actually design graphics that lend clarity, and that clarity can make a chart 'simple' to read. However, sometimes a dataset is complex, so the visualization must be complex. The visualization might still work if it provides useful insights that you wouldn’t get from a spreadsheet. […] Sometimes a table is better. Sometimes it’s better to show numbers instead of abstract them with shapes. Sometimes you have a lot of data, and it makes more sense to visualize a simple aggregate than it does to show every data point." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"After you visualize your data, there are certain things to look for […]: increasing, decreasing, outliers, or some mix, and of course, be sure you’re not mixing up noise for patterns. Also note how much of a change there is and how prominent the patterns are. How does the difference compare to the randomness in the data? Observations can stand out because of human or mechanical error, because of the uncertainty of estimated values, or because there was a person or thing that stood out from the rest. You should know which it is." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Area can also make data seem more tangible or relatable, because physical objects take up space. A circle or a square uses more space than a dot on a screen or paper. There’s less abstraction between visual cue and real world." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Context (information that lends to better understanding the who, what, when, where, and why of your data) can make the data clearer for readers and point them in the right direction. At the least, it can remind you what a graph is about when you come back to it a few months later. […] Context helps readers relate to and understand the data in a visualization better. It provides a sense of scale and strengthens the connection between abstract geometry and colors to the real world." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Data is an abstraction of real life, and real life can be complicated, but if you gather enough context, you can at least put forth a solid effort to make sense of it." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Data is more than numbers, and to visualize it, you must know what it represents. Data represents real life. It’s a snapshot of the world in the same way that a photograph captures a small moment in time. […] The connection between data and what it represents is key to visualization that means something. It is key to thoughtful data analysis. It is key to a deeper understanding of your data. Computers do a bulk of the work to turn numbers into shapes and colors, but you must make the connection between data and real life, so that you or the people you make graphics for extract something of value." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Early exploration of a dataset can be overwhelming, because you don’t know where to start. Ask questions about the data and let your curiosities guide you. […] Make multiple charts, compare all your variables, and see if there are interesting bits that are worth a closer look. Look at your data as a whole and then zoom in on categories and individual data points. […] Subcategories, the categories within categories (within categories), are often more revealing than the main categories. As you drill down, there can be higher variability and more interesting things to see." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Good visualization is a winding process that requires statistics and design knowledge. Without the former, the visualization becomes an exercise only in illustration and aesthetics, and without the latter, one of only analyses. On their own, these are fine skills, but they make for incomplete data graphics. Having skills in both provides you with the luxury - which is growing into a necessity - to jump back and forth between data exploration and storytelling." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"It’s tempting to look at data as absolute truth, because we associate numbers with fact, but more often than not, data is an educated guess. Your goal is to use data that doesn’t have large levels of uncertainty attached." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Most data is linked to time in some way in that it might be a time series, or it’s a snapshot from a specific period. In both cases, you have to know when the data was collected. An estimate made decades ago does not equate to one in the present. This seems obvious, but it’s a common mistake to take old data and pass it off as new because it’s what’s available. Things change, people change, and places change, and so naturally, data changes." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Most important, the range of data literacy and familiarity with your data’s context is much wider when you design graphics for a general audience." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Numbers seem concrete and absolute, but estimates carry uncertainty with them. Data is an abstraction of what it represents, and the level of exactness varies." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"People often skip methodology because it tends to be complex and for a technical audience, but it’s worth getting to know the gist of how the data of interest was collected."  (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Put everything together - from understanding data, to exploration, clarity, and adapting to an audience - and you get a general process for how to make data graphics."  (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Readability in visualization helps people interpret data and make conclusions about what the data has to say. Embed charts in reports or surround them with text, and you can explain results in detail. However, take a visualization out of a report or disconnect it from text that provides context (as is common when people share graphics online), and the data might lose its meaning; or worse, others might misinterpret what you tried to show." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"The best way to learn where people are is to show your work to those who don’t know your data. You get an immediate sense of understanding just from first impressions." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"The connection between data and what it represents is key to visualization that means something. It is key to thoughtful data analysis. It is key to a deeper understanding of your data. Computers do a bulk of the work to turn numbers into shapes and colors, but you must make the connection between data and real life, so that you or the people you make graphics for extract something of value." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"The data is a simplification - an abstraction - of the real world. So when you visualize data, you visualize an abstraction of the world, or at least some tiny facet of it. Visualization is an abstraction of data, so in the end, you end up with an abstraction of an abstraction, which creates an interesting challenge. […] Just like what it represents, data can be complex with variability and uncertainty, but consider it all in the right context, and it starts to make sense." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Visualization can be appreciated purely from an aesthetic point of view, but it’s most interesting when it’s about data that’s worth looking at. That’s why you start with data, explore it, and then show results rather than start with a visual and try to squeeze a dataset into it. It’s like trying to use a hammer to bang in a bunch of screws. […] Aesthetics isn’t just a shiny veneer that you slap on at the last minute. It represents the thought you put into a visualization, which is tightly coupled with clarity and affects interpretation." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Visualization is a medium: a way to explore, present, and express meaning in data. […] Visualization is often framed as a medium for storytelling. The numbers are the source material, and the graphs are how you describe the source. When referring to stories or data narrative, I don’t mean novels (but great if that’s what you’re after). Rather, I mean statistical stories […]" (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Visualization is often thought of as an exercise in graphic design or a brute-force computer science problem, but the best work is always rooted in data. To visualize data, you must understand what it is, what it represents in the real world, and in what context you should interpret it in." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Visualization is what happens when you make the jump from raw data to bar graphs, line charts, and dot plots. […] In its most basic form, visualization is simply mapping data to geometry and color. It works because your brain is wired to find patterns, and you can switch back and forth between the visual and the numbers it represents. This is the important bit. You must make sure that the essence of the data isn’t lost in that back and forth between visual and the value it represents because if you can’t map back to the data, the visualization is just a bunch of shapes." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"What is good visualization? It is a representation of data that helps you see what you otherwise would have been blind to if you looked only at the naked source. It enables you to see trends, patterns, and outliers that tell you about yourself and what surrounds you. The best visualization evokes that moment of bliss when seeing something for the first time, knowing that what you see has been right in front of you, just slightly hidden. Sometimes it is a simple bar graph, and other times the visualization is complex because the data requires it." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Without context, data is useless, and any visualization you create with it will also be useless. Using data without knowing anything about it, other than the values themselves, is like hearing an abridged quote secondhand and then citing it as a main discussion point in an essay. It might be okay, but you risk finding out later that the speaker meant the opposite of what you thought."  (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"You have to know the who, what, when, where, why, and how - the metadata, or the data about the data - before you can know what the numbers are actually about. […] Learn all you can about your data before anything else, and your analysis and visualization will be better for it. You can then pass what you know on to readers."  (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"We often think of visualization as a design and programming task, but the process starts further back with the data. You have to understand the data - its trends and patterns, along with its flaws and imperfections - and the rest follows." (Nathan Yau)

✏️Cecil H Meyers - Collected Quotes

"Charts and graphs are a method of organizing information for a unique purpose. The purpose may be to inform, to persuade, to obtain a clear understanding of certain facts, or to focus information and attention on a particular problem. The information contained in charts and graphs must, obviously, be relevant to the purpose. For decision-making purposes, information must be focused clearly on the issue or issues requiring attention. The need is not simply for 'information', but for structured information, clearly presented and narrowed to fit a distinctive decision-making context. An advantage of having a 'formula' or 'model' appropriate to a given situation is that the formula indicates what kind of information is needed to obtain a solution or answer to a specific problem." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"Data should not be forced into an uncomfortable or improper mold. For example, data that is appropriate for line graphs is not usually appropriate for circle charts and in any case not without some arithmetic transformation. Only graphs that are designed to fit the data can be used profitably." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"Errors may also creep into the information transfer stage when the originator of the data is unconsciously looking for a particular result. Such situations may occur in interviews or questionnaires designed to gather original data. Improper wording of the question, or improper voice inflections. and other constructional errors may elicit nonobjective responses. Obviously, if the data is incorrectly gathered, any graph based on that data will contain the original error - even though the graph be most expertly designed and beautifully presented." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"If two or more data paths ate to appear on the graph. it is essential that these lines be labeled clearly, or at least a reference should be provided for the reader to make the necessary identifications. While clarity seems to be a most obvious goal. graphs with inadequate or confusing labeling do appear in publications, The user should not find identification of data paths troublesome or subject to misunderstanding. The designer normally should place no more than three data paths on the graph to prevent confusion - particularly if the data paths intersect at one or more points on the Cartesian plane." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"In some situations. the terms describing the data are common knowledge and can be expected to be understood by most individuals. In others. the data is to be used by experts in a particular field, who also can be expected to know the terms. But when technical terms may be misunderstood by the reader. they should be clearly defined. This also implies that terms and concepts should be clearly defined before the original data is gathered. Obviously. one has to know what kind of information to gather for that stage to be of any value." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"Information that is only partially structured (and therefore contains some 'noise' is fuzzy, inconsistent, and indistinct. Such imperfect information may be regarded as having merit only if it represents an intermediate step in structuring the information into a final meaningful form. If the partially structured information remains in fuzzy form, it will create a state of dissatisfaction in the mind of the originator and certainly in the mind of the recipient. The natural desire is to continue structuring until clarity, simplicity, precision, and definitiveness are obtained." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"It is almost impossible to define 'time-sequence chart' in a clear and unambiguous manner because of the many forms and adaptations open to this type of chart. However. it might be said that, in essence, time-sequence chart portrays a chain of activities through time, indicates the type of activity in each link of the chain, shows clearly the position of the link in the total sequence chain, and indicates the duration of each activity. The time sequence chart may also contain verbal elements explaining when to begin an activity, how long to continue the activity, and a description of the activity. The chart may also indicate when to blend a given activity with another and the point at which a given activity is completed. The basic time-sequence chart may also be accompanied by verbal explanations and by secondary or contributory charts." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"Structured information is any type of information that is arranged to show relationships between the minute, individual particles (bits) of information and the final presentation of this information in a logical arrangement with continuity from beginning to end." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"The numerous design possibilities include several varieties of line graphs that are geared to particular types of problems. The design of a graph should be adapted to the type of data being structured. The data might be percentages, index numbers, frequency distributions, probability distributions, rates of change, numbers of dollars, and so on. Consequently, the designer must be prepared to structure his graph accordingly." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"The term information includes data, folklore, and sensory (including olfactory, visual. and so on) experiences. The conclusion, however. that something can be classified as 'information' does not in any manner guarantee the validity of the knowledge. In fact, the validity - that is, the degree of truth in any bit of information may - sometimes (but not always) be extremely difficult, if not impossible, to check out." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"The use of trivial data - particularly in graphic presentation - can easily tire the reader so that he soon becomes disinterested. Graphs should be for information considered highly significant. not for unimportant points." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"The varieties of circle charts are necessarily limited by the lack of basic design variation - a circle is a circle! Also, a circle can be considered as representing only one unit of area. regardless of its size. Thus, circle charts have limited applications, i.e., to show how a given quantity (area) is divided among its component parts,' or to show changes in the variable by showing area changes. A circle chart almost always presents some form of a part-to-total relationship." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"The word data (singular: datum) refers to bits and pieces of information. such as numbers. symbols. words, pictures, gestures, or sounds. Data represent nonstructured information. In short, data are incoherent. whereas information is coherent." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970) 

"To be useful data must be consistent - they must reflect periodic recordings of the value of the variable or at least possess logical internal connections. The definition of the variable under consideration cannot change during the period of measurement or enumeration. Also. if the data are to be valuable, they must be relevant to the question to be answered." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"To understand the need for structuring information, we should examine its opposite - nonstructured information. Nonstructured information may be thought of as exists and can be heard (or sensed with audio devices), but the mind attaches no rational meaning to the sound. In another sense, noise can be equated to writing a group of letters, numbers, and other symbols on a page without any design or key to their meaning. In such a situation, there is nothing the mind can grasp. Nonstructured information can be classified as useless, unless meaning exists somewhere in the jumble and a key can be found to unlock its hidden significance." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"While circle charts are not likely to present especially new or creative ideas, they do help the user to visualize relationships. The relationships depicted by circle charts do not tend to be very complex, in contrast to those of some line graphs. Normally, the circle chart is used to portray a common type of relationship (namely. part-to-total) in an attractive manner and to expedite the message transfer from designer to user." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

✏️Mary E Spear - Collected Quotes

"A chart without a border line has several advantages. It is not limited to a designated area. The irregular white space surrounding it makes it more adaptable to any page size. It may be more readily placed either horizontally or vertically on the page, so long as the reduction in the size of the chart does not destroy legibility of lettering." (Mary E Spear, "Charting Statistics", 1952)

"As a rule, bars should not be broken; if they are, a false conclusion can easily be drawn from the graph. If, however, the total length of any one bar is not essential to the whole picture, it may be broken near the end, so long as the numeral is inserted in the broken portion. This numeral should always appear in such cases, whether or not a scale is used." (Mary E Spear, "Charting Statistics", 1952)

"Avoid using black to silhouette a trend, as it causes an optical illusion (unless, of course, it is desired to create an illusion). [...] The same illusion is created when deep colors are used on original or reproduced charts." (Mary E Spear, "Charting Statistics", 1952)

"Determine the significant message in the data. The message is the objective and should not be lost sight of at any stage from the initial planning to the final result. [...] If, on the other hand, the message is more clearly expressed as a statement, a graph should never used. Too often presentations are made that add confusion to the meaning, and a chart is made just for the sake of making a chart." (Mary E Spear, "Charting Statistics", 1952)

"Graphic presentation is a functional form of art as much as modern painting or architectural design. The painter studies his subject to determine what colors and style and design will best express his ideas. The same kind of imagination is exercised by the graphic artist and analyst.  In addition, the graphic analyst has some of the same problems as the architect. The modern architect studies the family, its hobbies, interests, ambitions, and financial status, among other things, before he designs the new home. The graphic analyst should make just as thorough a study of the characteristics of the data and file uses for which it is intended before he designs his project. In the same way that the architect must know his materials and how they can best be used both in traditional ways and in new ways of his own devising, so must the graphic analyst be familiar with materials and techniques." (Mary E Spear, "Charting Statistics", 1952)

"In line charts with an arithmetic scale, it is essential to set the base line at zero in order that the correct perspective of the general movement may not be lost. Breaking or leaving off part of the scale leads to misinterpretation, because the trend then shows a disproportionate degree of variation in movement." (Mary E Spear, "Charting Statistics", 1952)

"In the basic statistical chart, the size of the lettering should be proportional to its importance on the chart. [...] 1. The main title should convey the subject of the graph at a glance. 2, The subtitle supports the main title and carries essential detail, such as date, index base, or limits of coverage. Do not depend on the text of the article or report to give basic information about your chart. The chart itself should include the facts." (Mary E Spear, "Charting Statistics", 1952)

"Recognize effective results. Does the type of chart selected give a comprehensive picture of the situation? Does the size of chart and visual aid used satisfy all audience requirements? Do materials meet all repro- duction problems? Is the layout well balanced and style of lettering uniform? Does the chart as a whole accurately present the facts? Is the projected idea an effective visual tool?" (Mary E Spear, "Charting Statistics", 1952)

"The grid with the vertical ruling carrying the logarithmic scale and the horizontal ruling carrying the arithmetic scale denoting time is the most common. The reverse may be used, and the horizontal ruling may carry the log scale. Charts of this type are frequently referred to as 'semilog charts'. [...] The full or double log scale (with the log grid carried on both horizontal and vertical rulings) is used mostly for statistical study and economic analysis and is not a good tool for popular presentation of data." (Mary E Spear, "Charting Statistics", 1952)

 "The logarithmic chart, while very effective when properly used and understood by the reader, is not for indiscriminate popular presentation. The purpose of this type of chart is to show the rate of change within a trend and not the arithmetic amount of change." (Mary E Spear, "Charting Statistics", 1952)

"The pie or sector chart makes a comparison of various components with each other and with the whole. However, this type should be used sparingly, especially when there are many segments. It is not only difficult to compare area segments, but most difficult to label them properly. When there are many divisions of the data, a bar chart would give greater clarity." (Mary E Spear, "Charting Statistics", 1952)

"The statistical map chart constitutes a striking graphic description of geographic relationship. It should be used, however, only when geographic distribution is of paramount importance and when data can be readily and correctly interpreted in this form." (Mary E Spear, "Charting Statistics", 1952)

✏️William C Marshall - Collected Quotes

"A graph, like a general table, may be prepared with no other object in view than to present in graphical form a given set of facts." (William C Marshall, "Graphical methods for schools, colleges, statisticians, engineers and executives", 1921)

"A graph is a pictorial representation or statement of a series of values all drawn to scale. It gives a mental picture of the results of statistical examination in one case while in another it enables calculations to be made by drawing straight lines or it indicates a change in quantity together with the rate of that change. A graph then is a picture representing some happenings and so designed as to bring out all points of significance in connection with those happenings. When the curve has been plotted delineating these happenings a general inspection of it shows the essential character of the table or formula from which it was derived." (William C Marshall, "Graphical methods for schools, colleges, statisticians, engineers and executives", 1921)

"A nomograph of a formula is a graph or diagram composed of lines scaled relatively and placed in such relative positions that the values of the variables are found on a line crossing the scales. The object is to substitute for the labor of computation a simple mechanical operation such as the one previously described. It is easy to read a nomogram with precision because of the few lines. It provides a tabulation of all possible values, enables solutions to be made irrespective of what quantity in the formula is unknown and also enables one to observe instantly the effect of a change, either small or great, in any one of the variables. The principles of such diagrams may be given in a general way and simple nomograms be constructed, but equations with many unknown quantities cannot be solved graphically without higher mathematics." (William C Marshall, "Graphical methods for schools, colleges, statisticians, engineers and executives", 1921)

"At the present time there is a total lack of standardization in the form of diagram to use for nearly all classes of representation. This makes it difficult to compare reports of different investigators on the same subject because their diagrams are not constructed alike." (William C Marshall, "Graphical methods for schools, colleges, statisticians, engineers and executives", 1921)

"Business executives cannot afford to ignore the merits of graphical representation which have for so long been accepted by the engineer and man of science. They must look behind the graphical method and study the conditions leading to the picture along with the picture itself. No business is too small to profit by an examination which shall analyze and scrutinize nor too large to ignore its possibilities. Each business must adjust the graphical methods to its own peculiarities and each diagram must be adjusted to the individual for whom it is prepared or the individual must be educated up to the use and importance of these methods of analysis." (William C Marshall, "Graphical methods for schools, colleges, statisticians, engineers and executives", 1921)

"Graphical methods are employed to a large extent in physical investigations as aids to calculation and for the purpose of exhibiting the nature of the law of variation of various phenomena." (William C Marshall, "Graphical methods for schools, colleges, statisticians, engineers and executives", 1921)

"Graphical methods are inferior to numerical in accuracy. Ease and rapidity are essential when we want to compare many sets of facts together because if the mind is long delayed in taking in the facts of one set it loses count of the others. The function of graphical representation is to facilitate comparison." (William C Marshall, "Graphical methods for schools, colleges, statisticians, engineers and executives", 1921)

"Graphical methods comprise all those methods of representing the relations of objects or facts by means of the relations between the lines of a diagram. All devices for representing by geometrical figures the numerical data which result from the quantitative investigation of phenomena are included under this title." (William C Marshall, "Graphical methods for schools, colleges, statisticians, engineers and executives", 1921) 

"Readers of statistical diagrams should not be required to compare magnitudes in more than one dimension. Visual comparisons of areas are particularly inaccurate and should not be necessary in reading any statistical graphical diagram." (William C Marshall, "Graphical methods for schools, colleges, statisticians, engineers and executives", 1921)

 "The chief problems in the technique of historigram [aka histogram] plotting are those of base line scales, types of lines to use for the graphs and methods of and purposes of smoothing these curves. The size of page, ability of grasp by the eye, subsequent treatment of the illustration, etc., are determining factors. The variable factor is usually plotted from a base line along the ordinate axis. Spacing and rules for scales apply as in frequency diagrams." (William C Marshall, "Graphical methods for schools, colleges, statisticians, engineers and executives", 1921)

✏️Terry Richey - Collected Quotes

"A common mistake in problem solving is to encompass too much territory, which dilutes any solutions chance of success. [...] However, the opposite error occurs more frequently." (Terry Richey, "The Marketer's Visual Tool Kit", 1994)

"But business fosters a particular fondness for tactics. That emphasis can lead to an imbalance that reduces the opportunities for success. We get so wrapped up in tactics - doing things to meet a quota or deadline, executing someone else's orders - that we miss the reason behind the tactics. Eventually the purpose of the tactic fades away, but the rules, quotas, deadlines, forms, and frustration remain." (Terry Richey, "The Marketer's Visual Tool Kit", 1994)

"One of the issues involved in moving strategy making down into the business organization concerns common understanding or focus. To carry out tactics, we do not need to share common objectives. But with strategy, we must interpret conditions, events, and actions in a similar manner to have any hope of creating a successful plan." (Terry Richey, "The Marketer's Visual Tool Kit", 1994)

"One proven way to share a common understanding of your market and your position in it is to create a Strategic Map. You build the map by searching for the two most critical variables that separate how you and your competitors differ and then plotting these variables in a box divided into quadrants. Building a Strategic Map of your business and creating consensus on the accuracy of that model can dramatically enhance the process of defining strategy and constructing results-driven marketing programs. The visual nature of your model keeps it top of mind and in clearer focus than words on paper can do alone." (Terry Richey, "The Marketer's Visual Tool Kit", 1994)

"Segmenting a market requires information, intuition, and imagination. No right answer exists in segmentation. You need to find a breakdown of the market based on hard data. You can obtain this demographic and psychographic data from your own customers, from published research, or from new research. But of all the ways to break down the market, you'll end up needing a good measure of intuition, placing your feel for the market into the process. Finally, segmentation means little without the imagination of how to use it to its fullest potential." (Terry Richey, "The Marketer's Visual Tool Kit", 1994)

"Strategy and tactics. Thinking and doing. Vision and execution. Whatever you call it, finding a balance between these two powerful forces of success remains a lifelong search for the best in any field: military leader, artist, baseball coach, or marketing manager." (Terry Richey, "The Marketer's Visual Tool Kit", 1994)

"The key to strategy is the ability to think forward and reason backward. We imagine where the future will take us and then build a pathway back to today. The problem lies in not knowing which of many possible futures will unfold. A Decision Tree allows you to visualize these futures and evaluate their potential impact from the future, rather than from today." (Terry Richey, "The Marketer's Visual Tool Kit", 1994)

"The key to successful brainstorming lies in the team's willingness to suspend disbelief and experiment with new ways of looking at opportunities - something that can be done with a Morpho Box. At this point, concentrating on only the positive possibilities without reference to the inherent problems makes the process work." (Terry Richey, "The Marketer's Visual Tool Kit", 1994)

"The square has always had a no-nonsense sort of image. Stable, solid, and - well - square. Perhaps that's why it is the shape used in business visuals in those rare cases where a visual is even bothered with. Flip through most business books and you'll find precious few places for your eye to stop and your visual brain to engage. But when you do, the shape of the graphic, chart, matrix, table, or diagram is certainly square. It's a comfortable shape, which makes it a valuable implement in your kit of visual communication tools." (Terry Richey, "The Marketer's Visual Tool Kit", 1994)

"The triangle is one of the best tools for visualizing a problem. Every difficult problem I've encountered in business breaks down into pieces, which carry different weight and importance. The pieces with the most importance sit at the top of the triangle, which progresses down to the sometimes thorny but less important piece at the base." (Terry Richey, "The Marketer's Visual Tool Kit", 1994)

"Visual thinking can begin with the three basic shapes we all learned to draw before kindergarten: the triangle, the circle, and the square. The triangle encourages you to rank parts of a problem by priority. When drawn into a triangle, these parts are less likely to get out of order and take on more importance than they should. While the triangle ranks, the circle encloses and can be used to include and/or exclude. Some problems have to be enclosed to be managed. Finally, the square serves as a versatile problem-solving tool. By assigning it attributes along its sides or corners, we can suddenly give a vague issue a specific place to live and to move about." (Terry Richey, "The Marketer's Visual Tool Kit", 1994)

✏️Willard C Brinton - Collected Quotes

"A warning seems justifiable that the background of a chart should not be made any more prominent than actually necessary. Many charts have such heavy coordinate ruling and such relatively narrow lines for curves or other data that the real facts the chart is intended to portray do not stand out clearly from the background. No more coordinate lines should be used than are absolutely necessary to guide the eye of the reader and to permit an easy reading of the curves." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"After a person has collected data and studied a proposition with great care so that his own mind is made up as to the best solution for the problem, he is apt to feel that his work is about completed. Usually, however, when his own mind is made up, his task is only half done. The larger and more difficult part of the work is to convince the minds of others that the proposed solution is the best one - that all the recommendations are really necessary. Time after time it happens that some ignorant or presumptuous member of a committee or a board of directors will upset the carefully-thought-out plan of a man who knows the facts, simply because the man with the facts cannot present his facts readily enough to overcome the opposition. It is often with impotent exasperation that a person having the knowledge sees some fallacious conclusion accepted, or some wrong policy adopted, just because known facts cannot be marshalled and presented in such manner as to be effective." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"As a general rule dates should always be arranged to read from left to right, and columns of figures should be arranged with the column for the earlier date at the left. A common exception is made, however, in the case of financial reports when it is desired to show the most recent year next to the various type-headings relating to earnings, expenses, etc." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919) 

"Comparison between circles of different size should be absolutely avoided. It is inexcusable when we have available simple methods of charting so good and so convenient from every point of view as the horizontal bar." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"Co-ordinate ruling does not appear prominently on most original charts because •the ruling is usually printed in some color of ink distinct from the curve itself. When, however, a chart is reproduced in a line engraving the co-ordinate lines come out the same color as the curve or other important data, and there may be too little contrast to assist the reader." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"'Correlation' is a term used to express the relation which exists between two series or groups of data where there is a causal connection. In order to have correlation it is not enough that the two sets of data should both increase or decrease simultaneously. For correlation it is necessary that one set of facts should have some definite causal dependence upon the other set [...]" (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919) 

"Graphic comparisons, wherever possible, should be made in one dimension only." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"If only one scale is used, it should be placed at the left-hand side of the chart. In very large charts it is sometimes desirable to repeat the scale at the right-hand side as well. Where two different units of measurement are used in the scales, the units should be carefully named so that there will be no danger of the reader's using the right-hand and the left-hand scales interchangeably as though they represented the same unit." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"In any chart where index numbers are used the greatest care should be taken to select as unity a set of conditions thoroughly typical and representative. It is frequently best to take as unity the average of a series of years immediately preceding the years for which a study is to be made. The series of years averaged to represent unity should, if possible, be so selected that they will include one full cycle or wave of fluctuation. If one complete cycle involves too many years, the years selected as unity should be taken in equal number on either side of a year which represents most nearly the normal condition." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919) 

"In general, the comparison of two circles of different size should be strictly avoided. Many excellent works on statistics approve the comparison of circles of different size, and state that the circles should always be drawn to represent the facts on an area basis rather than on a diameter basis. The rule, however, is not always followed and the reader has no way of telling whether the circles compared have been drawn on a diameter basis or on an area basis, unless the actual figures for the data are given so that the dimensions may be verified." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"In many presentations it is not a question of saving time to the reader but a question of placing the arguments in such form that results may surely be obtained. For matters affecting public welfare, it is hard to estimate the benefits which may accrue if a little care be used in presenting data so that they will be convincing to the reader." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"It is desirable in all chart work to have certain conventions by which colors would be understood to have certain definite meanings. Thus, following railroad practice, red could generally be used in chart work to indicate dangerous or unfavorable conditions, and green to indicate commended features or favorable conditions. Where neither commendation nor adverse criticism is intended, colors such as blue, yellow, brown, etc., could be used." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"It is difficult to make a general rule for determining in any case which is the independent variable and which is the dependent variable. The decision depends entirely on how any set of data is approached and on the habits of mind of the investigator. When time is one of the variables it is usually, but not always, the independent variable." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"It should be a strict rule for all kinds of curve plotting that the horizontal scale must be used. for the independent variable and the vertical scale for the dependent variable. When the curves are plotted by this rule the reader can instantly select a set of conditions from the horizontal scale and read the information from the vertical scale. If there were no rule relating to the arrangement of scales for the independent and dependent variables, the reader would never be able to tell whether he should approach a chart from the vertical scale and read the information from the horizontal scale, or the reverse." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"Judgment must be used in the showing of figures in any chart or numerical presentation, so that the figures may not give an appearance of greater accuracy than their method of collection would warrant. Too many otherwise excellent reports contain figures which give the impression of great accuracy when in reality the figures may be only the crudest approximations. Except in financial statements, it is a safe rule to use ciphers whenever possible at the right of all numbers of great size. The use of the ciphers greatly simplifies the grasping of the figures by the reader, and, at the same time, it helps to avoid the impression of an accuracy which is not warranted by the methods of collecting the data." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919) 

 "Misleading figures implying a greater accuracy than justifiable are very often found as a result of the addition of different quantities some of which are large and some small. The small quantities may have a great degree of accuracy, but this does not give accuracy to the sum of all the quantities, for the total cannot be any more accurate than the most inaccurate item included in the total. If a very large item is not accurate within ten thousand, then it is useless to include in the grand total the three right-hand digits which may be obtained as the result of addition. When some of the items included are so small that they are in tens or hundreds, the addition should be made to include all the digits. After the sum is known then all those digits whose accuracy is doubtful in the total should be replaced by ciphers." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"Most authors would greatly resent it if they were told that their writings contained great exaggerations, yet many of these same authors permit their work to be illustrated with charts which are so arranged as to cause an erroneous interpretation. If authors and editors will inspect their charts as carefully as they revise their written matter, we shall have, in a very short time, a standard of reliability in charts and illustrations just as high as now found in the average printed page." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919) 

"Of course, no two businesses can have identical organizations. The skeleton may be the same, however, and just as the proper study of the functions of the human body begins with the skeleton, so the study of organization should begin with those simple outlines which appear, in the main, in all completely and successfully organized businesses. Very few enterprises are organized properly. Very few have an organization that can be charted at all. That is one reason why there is such inefficiency in industry." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

 "One of a business man's chief assets is his ability to show things to others in their true proportions. He is continually making contrasts, and holding up for comparison different propositions which come up in his daily affairs. The graphic method lends itself admirably to use in making comparisons. It is surprising how much clearer even simple comparisons of only two or three items will appear when their numerical value is put in graphic form rather than in figures."  (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"Ordinarily, facts do not speak for themselves. When they do speak for themselves, the wrong conclusions are often drawn from them. Unless the facts are presented in a clear and interesting manner, they are about as effective as a phonograph record with the phonograph missing." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"Sometimes the scales of these accompanying charts are so large that the reader is puzzled to get clearly in his mind what the whole chart is driving at. There is a possibility of making a simple chart on such a large scale that the mere size of the chart adds to its complexity by causing the reader to glance from one side of the chart to the other in trying to get a condensed visualization of the chart." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919) 

"The title for any chart presenting data in the graphic form should be so clear and so complete that the chart and its title could be removed from the context and yet give all the information necessary for a complete interpretation of the data. Charts which present new or especially interesting facts are very frequently copied by many magazines. A chart with its title should be considered a unit, so that anyone wishing to make an abstract of the article in which the chart appears could safely transfer the chart and its title for use elsewhere." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919) 

"The principles of charting and curve plotting are not at all complex, and it is surprising that many business men dodge the simplest charts as though they involved higher mathematics or contained some sort of black magic. [...] The trouble at present is that there are no standards by which graphic presentations can be prepared in accordance with definite rules so that their interpretation by the reader may be both rapid and accurate. It is certain that there will evolve for methods of graphic presentation a few useful and definite rules which will correspond with the rules of grammar for the spoken and written language." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919) 

"The scales of any curve-chart should be so selected that the chart will not be exaggerated in either the horizontal or the vertical direction. It is possible to cause a visual exaggeration of data by carelessly or intentionally selecting a scale which unduly stretches the chart in either the horizontal or the vertical direction. Just as the English language can be used to exaggerate to the ear, so charts can exaggerate to the eye." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"There are a number of comparatively little-known short cuts and convenient methods available in the collection and recording of statistical facts. If obsolete or unsuitable methods are used it may make a difference between success and failure in the work of keeping records of any complex business. When the methods of tabulation are too laborious, not only are the records so extensive as to be in disfavor, but they may occasionally include errors, in spite of the greatest care that can be taken by even the highest grade of employees. Anything which will reduce the amount of mental concentration necessary on the part of persons collecting and tabulating facts, will ordinarily assist-in the production of more accurate final results." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"Though graphic presentations are used to a very large extent to-day there are at present no standard rules by which the person preparing a chart may know that he is following good practice. This is unfortunate because it permits everyone making a chart to follow his own sweet will. Many charts are being put out to-day from which it would seem that the person making them had tried deliberately to get up some method as different as possible from any which had ever been used previously." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919) 

"Though variety in method of charting is sometimes desirable in large reports where numerous illustrations must follow each other closely, or in wall exhibits where there must be a great number of charts in rapid sequence, it is better in general to use a variety of effects simply to attract attention, and to present the data themselves according to standard well-known methods." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"Though accurate data and real facts are valuable, when it comes to getting results the manner of presentation is ordinarily more important than the facts themselves. The foundation of an edifice is of vast importance. Still, it is not the foundation but the structure built upon the foundation which gives the result for which the whole work was planned. As the cathedral is to its foundation so is an effective presentation of facts to the data." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"To summarize - with the ordinary arithmetical scale, fluctuations in large factors are very noticeable, while relatively greater fluctuations in smaller factors are barely apparent. The logarithmic scale permits the graphic representation of changes in every quantity without respect to the magnitude of the quantity itself. At the same time, the logarithmic scale shows the actual value by reference to the numbers in the vertical scale. By indicating both absolute and relative values and changes, the logarithmic scale combines the advantages of both the natural and the percentage scale without the disadvantages of either." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"Unlimited numbers of reports, magazines, and newspapers are now giving us reams of quantitative facts. If the facts were put in graphic form, not only would there be a great saving in the time of the readers but there would be infinite gain to society, because more facts could be absorbed and with less danger of misinterpretation. Graphic methods usually require no more space than is needed if the facts are presented in the form of words. In many cases, the graphic method requires less space than is required for words and there is, besides, the great advantage that with graphic methods facts are presented so that the reader may make deductions of his own, while when words are used the reader must usually accept the ready-made conclusions handed to him." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"When large numbers of curves and charts are used by a corporation, it will be found advantageous to have certain standard abbreviations and symbols on the face of the chart so that information may be given in condensed form as a signal to anyone reading the charts." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"When curves become as widely understood as the bar method of presentation, it will be found that curves can be used advantageously in almost every case where it is now common to use either vertical or horizontal bars." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919) 

"When plotting any curve the vertical scale should, if possible, be chosen so that the zero of the scale will appear on the chart. Otherwise, the reader may assume the bottom of the chart to be zero and so be grossly misled. Zero should always be indicated by a broad line much wider than the ordinary co-ordinate lines used for the background of the chart." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919) 

✏️Jacques Bertin - Collected Quotes

"A graphic should not only show the leaves, it should show the branches as well as the entire tree." (Jacques Bertin, "The Semiology of Graphics", 1967)

"Graphic representation constitutes one of the basic sign-systems conceived by the human mind for the purposes of storing, understanding, and communicating essential information. As a "language" for the eye, graphics benefits from the ubiquitous properties of visual perception. As a monosemic system, it forms the rational part of the world of images. […] Graphics owes its special significance to its double function as a storage mechanism and a research instrument."  (Jacques Bertin, "The Semiology of Graphics" ["Semiologie Graphique"], 1967)

"The aim of the graphic is to make the relationship among previously defined sets appear." (Jacques Bertin, "The Semiology of Graphics" ["Semiologie Graphique"], 1967)

"The great difference between the graphic representation of yesterday, which was poorly dissociated from the figurative image, and the graphics of tomorrow, is the disappearance of the congential fixity of the image. […] When one can superimpose, juxtapose, transpose, and permute graphic images in ways that lead to groupings and classings, the graphic image passes from the dead image, the 'illustration,' to the living image, the widely accessible research instrument it is now becoming. The graphic is no longer only the 'representation' of a final simplification, it is a point of departure for the discovery of these simplifications and the means for their justification. The graphic has become, by its manageability, an instrument for information processing." (Jacques Bertin, "The Semiology of Graphics" ["Semiologie Graphique"], 1967)

"The plane is the mainstay of all graphic representation. It is so familiar that its properties seem self-evident, but the most familiar things are often the most poorly understood. The plane is homogeneous and has two dimensions. The visual consequences of these properties must be fully explored." (Jacques Bertin, "The Semiology of Graphics" ["Semiologie Graphique"], 1967)

"The problem that still remains to be solved is that of the orderable matrix, that needs the use of imagination […] When the two components of a data table are orderable, the normal construction is the orderable matrix. Its permutations show the analogy and the complementary nature that exist between the algorithmic treatments and the graphical treatments." (Jacques Bertin, "The Semiology of Graphics" ["Semiologie Graphique"], 1967)

"There are as many types of questions as components in the information." (Jacques Bertin, "The Semiology of Graphics" ["Semiologie Graphique"], 1967)

"To analyse graphic representation precisely, it is helpful to distinguish it from musical, verbal and mathematical notations, all of which are perceived in a linear or temporal sequence. The graphic image also differs from figurative representation essentially polysemic, and from the animated image, governed by the laws of cinematographic time. Within the boundaries of graphics fall the fields of networks, diagrams and maps. The domain of graphic imagery ranges from the depiction of atomic structures to the representation of galaxies and extends into the spheres of topography and cartography." (Jacques Bertin, "The Semiology of Graphics" ["Semiologie Graphique"], 1967)

"As with any graphic, networks are used in order to discover pertinent troups of to inform others of the groups and structures discovered. It is a good means of displaying structures, However, it ceases to be a means of discovery when the elements are numerous. The figure rapidly becomes complex, illegible and untransformable." (Jacques Bertin, "Graphics and graphic information processing", 1977)

"Computers are able to multiply useless images without taking into account that, by definition, every graphic corresponds to a table. This table allows you to think about three basic questions that go from the particular to the general level. When this last one receives an answer, you have answers for all of them. Understanding means accessing the general level and discovering significant grouping (patterns). Consequently, the function of a graphic is answering the three following questions:
Which are the X,Y, Z components of the data table? (What it’s all about?)
What are the groups in X, in Y that Z builds? (What the information at the general level is?
What are the exceptions?

"These questions can be applied to every kind of problem. They measure the usefulness of whatever construction or graphical invention allowing you to avoid useless graphics." (Jacques Bertin, [interview] 2003)

"Data is transformed into graphics to understand. A map, a diagram are documents to be interrogated. But understanding means integrating all of the data. In order to do this it’s necessary to reduce it to a small number of elementary data. This is the objective of the 'data treatment' be it graphic or mathematic." (Jacques Bertin, [interview] 2003)

"The use of computers shouldn't ignore the objectives of graphics, that are: 1) Treating data to get information. 2) Communicating, when necessary, the information obtained." (Jacques Bertin, [interview] 2003)

"Graphics is the visual means of resolving logical problems." (Jacques Bertin, "Graphics and Graphic Information Processing", 2011)

✏️Daniel B Carr - Collected Quotes

"Binning has two basic limitations. First, binning sacrifices resolution. Sometimes plots of the raw data will reveal interesting fine structure that is hidden by binning. However, advantages from binning often outweigh the disadvantage from lost resolution. [...] Second, binning does not extend well to high dimensions. With reasonable univariate resolution, say 50 regions each covering 2% of the range of the variable, the number of cells for a mere 10 variables is exceedingly large. For uniformly distributed data, it would take a huge sample size to fill a respectable fraction of the cells. The message is not so much that binning is bad but that high dimensional space is big. The complement to the curse of dimensionality is the blessing of large samples. Even in two and three dimensions having lots of data can bc very helpful when the observations are noisy and the structure non-trivial." (Daniel B Carr, "Looking at Large Data Sets Using Binned Data Plots", [in "Computing and Graphics in Statistics"] 1991)

"There is an interplay between statistical models and graphics, so it is advantageous to think about models before making a series of plots." (Daniel B Carr, "Looking at Large Data Sets Using Binned Data Plots", [in "Computing and Graphics in Statistics"] 1991)

"Working with binned data directly addresses large data set issues of computation and plotting speed. Almost everything that can bc done with the original data can be done faster with binned data. Further, working with binned data allows image processing algorithms to be adapted and applied to bin cells. Thus tools can bc brought to bare that are not traditionally associated with exploratory data analysis." (Daniel B Carr, "Looking at Large Data Sets Using Binned Data Plots", [in "Computing and Graphics in Statistics"] 1991)

"A scatterplot would show the relationship between [...] two variables in more detail, but would not convey the spatial patterns shown in […] micromap panels. Using conditioning to define a comparative grid of panels, […] changes an investigation from a sequential filtering of one variable at a time to more of a multivariable approach. In this context we can assess functional relationships, densities, or geospatial patterns within panels as well as changes across panels." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"Another method used to simplify the appearance of a graphic is smoothing. A regression line overlaid on a scatterplot is a smooth representation of the relationship between the two graph variables. For time series data, a moving average of the data over time is often used to smooth out the variation over small time steps in order to illustrate the overall trend." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"Designing good visual displays with an easy-to-use interactive system is difficult. The designer’s first attempts will usually fail, so it is critical that proposed systems be tested on at least several sets of typical users. These usability tests help the designer iterate to the best possible system." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"Given the small size of micromaps, the blocks of color on choropleth maps have the advantage of being more visible than if the values were displayed by small symbols or hatch patterns on the map. Using highly saturated colors makes small areas stand out even more. On the other hand, the eye can be drawn to large blocks of color that represent small populations […] A micromap re-design may attempt to mitigate this areal bias by increasing the size of small […] states, but the analyst needs to be aware of this potential problem when using micromaps to communicate to others. The conditioned micromap design can partially address this issue by conditioning on population." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"Hue is the color dimension that is associated with wavelength of light and with names of colors, such as red, yellow, and blue. Most languages around the world include words for black, white, red, green, yellow, blue, brown, pink, purple, orange, and gray. Differences in hue are best used for encoding different attributes, as in a qualitative graph or unordered variables. Different wavelengths have different focal lengths, so what we 'see' is a compromise between the actual and perceived distance to the image. Most people perceive long-wavelength colors, such as red and orange, as being closer to their eyes than short-wavelength colors, such as blue and green." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"In addition to smoothing boundaries, we can smooth the data. The simultaneous smoothing of variation over space, time, or attributes can help us to see the central patterns that would otherwise be hidden by local variation (noise). Local averaging of values usually can provide less biased estimates of spatial and temporal processes, just as the regression line can provide an unbiased estimate of a linear relationship between variables. However, smoothing can actually mask patterns, particularly important outliers, if we smooth over places that are dissimilar in some relevant attribute." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"Micromap graphics differ from most of [other] methodology in two ways. First, by definition, micromaps always include maps among the views of study units. Second, micromaps use different methods to highlight study units. Linked micromaps sort the study units, partition them into small subsets, and systematically highlight these subsets. The conditioned micromaps and many comparative micromaps use a three-class slider to partition." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"Much of a statistician’s training, especially in thinking about patterns, is related to the statistical tasks of describing and comparing distributions and to creating and refining models that describe how variables are related. There is little direct focus on the tasks of pattern identification, distribution comparison, and model building in the web page design and usability literature. Instead, that community is more focused on searching for and filtering information, drilling down to find a specific piece of information and navigation on the web. Nonetheless, good tools for one purpose often can be adapted to another purpose." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"People have different approaches to reasoning about data, depending on their skills and experience, but research has shown that there are commonalities in their processing steps. Some researchers call this sense making. A classical statistical analysis is usually straightforward, consisting of sequential steps of experimental design, the conduct of the experiment, and a statistical summary of results. An exploratory analysis is often interactive and less structured. Usually there is a phase of information gathering and preliminary processing, followed by choice of the representation method that will address the question at hand or questions raised by preliminary graphics." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"[…] perceptual accuracy decreases with distance, so columns that are to be compared should be side by side. Current linked micromap software requires the user." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"Saturation, also referred to as chroma or intensity, measures the purity of the color. A highly saturated color has little or no gray in it, while a highly desaturated color is almost gray, with none of the original color. You may be more familiar with the term shade, which refers to a mix of pigment and black paint, or tint, a mix of pigment and white paint. We only perceive a few different steps of varying saturation, so changing saturation alone is not effective for encoding a quantitative variable. However, the eye is drawn to highly saturated colors, so these can be used to good effect for drawing attention to a part of the visualization. In addition, highly saturated colors stand out more and so can be used as fill colors to improve the visibility of small symbols or areas." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"Scatterplots are the preferred medium for adding smooth curves to show a causal functional relationship or an association […] However, despite the advantage of the scatterplot for seeing some types of patterns, the linked micromap design adds geographic location to the information displayed and so enables searches for geographic patterns that the scatterplot omits." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"Statistical models typically decompose observed values into fit and residuals. Mapping fitted values shows broad patterns that may help us to understand and explain the process that generated the data. Mapping residuals can show us a mixture of noise and anomalies. Sometimes we are more interested in the broad patterns, but at other times we wish to identify the anomalies, e.g., where some corrective action needs to be taken." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"The power of graphics to aid understanding is well recognized, but with power comes the risk of misuse. Some people advocate the restriction of graphs and data to avoid misuse or to avoid drawing attention to problems. As educators we seek to provide both tools and education with the hope that learning will continue. Graphics can be misused, but our position is that people can learn from mistakes. We also believe that when many people can see and share perspectives, we are in a better position to see constructively and shape the world." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

"The use of color is so fundamental in visualization design that its perception requires an in-depth discussion [...]. Using color well is not easy. Color is one of those concepts that everyone thinks they understand, but that is really more complex than it first appears." (Daniel B Carr & Linda W Pickle, "Visualizing Data Patterns with Micromaps", 2010)

✏️Roxy Peck - Collected Quotes

"A graphical display, when used appropriately, can be a powerful tool for organizing and summarizing data. By sacrificing some of the detail of a complete listing of a data set, important features of the data distribution are more easily seen and more easily communicated to others." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"A histogram for discrete numerical data is a graph of the frequency or relative frequency distribution, and it is similar to the bar chart for categorical data. Each frequency or relative frequency is represented by a rectangle centered over the corresponding value (or range of values) and the area of the rectangle is proportional to the corresponding frequency or relative frequency." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"A time-series plot (sometimes also called a time plot) is a simple graph of data collected over time that can be invaluable in identifying trends or patterns that might be of interest.A time-series plot can be constructed by thinking of the data set as a bivariate data set, where y is the variable observed and x is the time at which the observation was made. These (x, y) pairs are plotted as in a scatterplot. Consecutive observations are then connected by a line segment; this aids in spotting trends over time." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"A unimodal histogram that is not symmetric is said to be skewed. If the upper tail of the histogram stretches out much farther than the lower tail, then the distribution of values is positively skewed or right skewed. If, on the other hand, the lower tail is much longer than the upper tail, the histogram is negatively skewed or left skewed." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"A well-designed experiment requires more than just manipulating the explanatory variables; the design must also eliminate other possible explanations or the experimental results will not be conclusive." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"Be careful not to confuse clustering and stratification. Even though both of these sampling strategies involve dividing the population into subgroups, both the way in which the subgroups are sampled and the optimal strategy for creating the subgroups are different. In stratified sampling, we sample from every stratum, whereas in cluster sampling, we include only selected whole clusters in the sample. Because of this difference, to increase the chance of obtaining a sample that is representative of the population, we want to create homogeneous groups for strata and heterogeneous (reflecting the variability in the population) groups for clusters." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"Bias in sampling is the tendency for samples to differ from the corresponding population in some systematic way. Bias can result from the way in which the sample is selected or from the way in which information is obtained once the sample has been chosen. The most common types of bias encountered in sampling situations are selection bias, measurement or response bias, and nonresponse bias." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"Descriptive statistics is the branch of statistics that includes methods for organizing and summarizing data. Inferential statistics is the branch of statistics that involves generalizing from a sample to the population from which the sample was selected and assessing the reliability of such generalizations." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"Pie charts can be used effectively to summarize a single categorical data set if there are not too many different categories. However, pie charts are not usually the best tool if the goal is to compare groups on the basis of a categorical variable." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"Populations with no variability are exceedingly rare, and they are of little statistical interest because they present no challenge! In fact, variability is almost universal. It is variability that makes life (and the life of a statistician, in particular) interesting. We need to understand variability to be able to collect, describe, analyze, and draw conclusions from data in a sensible way." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"[… ] statistics is about understanding the role that variability plays in drawing conclusions based on data. […] Statistics is not about numbers; it is about data - numbers in context. It is the context that makes a problem meaningful and something worth considering." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"Statistics is the scientific discipline that provides methods to help us make sense of data. Statistical methods, used intelligently, offer a set of powerful tools for gaining insight into the world around us." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"The goal of random sampling is to produce a sample that is likely to be representative of the population. Although random sampling does not guarantee that the sample will be representative, it does allow us to assess the risk of an unrepresentative sample. It is the ability to quantify this risk that will enable us to generalize with confidence from a random sample to the corresponding population." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

"The use of the density scale to construct the histogram ensures that the area of each rectangle in the histogram will be proportional to the corresponding relative frequency. The formula for density can also be used when class widths are equal. However, when the intervals are of equal width, the extra arithmetic required to obtain the densities is unnecessary." (Roxy Peck et al, "Introduction to Statistics and Data Analysis" 4th Ed., 2012)

✏️Robert L Harris - Collected Quotes

"A coordinate is a number or value used to locate a point with respect to a reference point, line, or plane. Generally the reference is zero. […] The major function of coordinates is to provide a method for encoding information on charts, graphs, and maps in such a way that viewers can accurately decode the information after the graph or map has been generated."  (Robert L Harris, "Information Graphics: A Comprehensive Illustrated Reference", 1996) 

"Although in most cases the actual value designated by a bar is determined by the location of the end of the bar, many people associate the length or area of the bar with its value. As long as the scale is linear, starts at zero, is continuous, and the bars are the same width, this presents no problem. When any of these conditions are changed, the potential exists that the graph will be misinterpreted." (Robert L Harris, "Information Graphics: A Comprehensive Illustrated Reference", 1996)

"Area graphs are generally not used to convey specific values. Instead, they are most frequently used to show trends and relationships, to identify and/or add emphasis to specific information by virtue of the boldness of the shading or color, or to show parts-of-the-whole." (Robert L Harris, "Information Graphics: A Comprehensive Illustrated Reference", 1996) 

"As a general rule, the fewer the time intervals used in the averaging process, the more closely the moving average curve resembles the curve of the actual data. Conversely, the greater the number of intervals, the smoother the moving average curve. […] Moving average curves tend to have a delayed reaction to changes." (Robert L Harris, "Information Graphics: A Comprehensive Illustrated Reference", 1996) 

"Grouped area graphs sometimes cause confusion because the viewer cannot determine whether the areas for the data series extend down to the zero axis. […] Grouped area graphs can handle negative values somewhat better than stacked area graphs but they still have the problem of all or portions of data curves being hidden by the data series towards the front." (Robert L Harris, "Information Graphics: A Comprehensive Illustrated Reference", 1996)

"Standard quantile graphs offer certain advantages over cumulative percent frequency graphs. Among these advantages are ease of construction, actual data points are shown as opposed to summaries of class intervals, no decisions are required as to what the best size class interval might be, the same curve functions as a less-than and greater-than curve, and the actual maximum and minimum values are shown on the graph." (Robert L Harris, "Information Graphics: A Comprehensive Illustrated Reference", 1996)

"Technically, there is no limit as to the number of data series that can be plotted on a single graph. Practically, if the number goes above three or four the graph becomes confusing." (Robert L Harris, "Information Graphics: A Comprehensive Illustrated Reference", 1996) 

"When analyzing data it is many times advantageous to generate a variety of graphs using the same data. This is true whether there is little or lots of data. Reasons for this are: (1) Frequently, all aspects of a group of data can not be displayed on a single graph. (2) Multiple graphs generally result in a more in-depth understanding of the information. (3) Different aspects of the same data often become apparent. (4) Some types of graphs cause certain features of the data to stand out better (5) Some people relate better to one type of graph than another." (Robert L Harris, "Information Graphics: A Comprehensive Illustrated Reference", 1996) 

"When approximations are all that are needed, stacked area graphs are usually adequate. When accuracy is desired, this type of graph is generally not used, particularly when the values fluctuate significantly and/or the slopes of the curves are steep." (Robert L Harris, "Information Graphics: A Comprehensive Illustrated Reference", 1996) 

✏️Kate Strachnyi - Collected Quotes

"As beautiful as data can be, it’s not an al fresco painting that should be open to interpretation from anyone who walks by its section of the museum. Make bold, smart color choices that leave no doubt what the purpose of the data is." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"Blue is a nice color for a lot of things, but it’s tough for people to tell the difference between shades of blue in a report. Light blue and dark blue and royal blue and navy blue have a tendency to run together, so differing shades are not going to make that big of a difference for audience members trying to unspool what’s being presented. The same goes for other colors: it’s not that easy for humans to tell the difference between varying shades of the same color (unless they are drastic)." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"Colors and numbers are much more similar than we think. Using contrasting colors on different forms of information allows your audience to make a very clear delineation between the two, even when the setup and style are completely the same." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"Color is by far the most abused and neglected tool in data visualization. We abuse it by making color choices that make no sense, and we neglect it when we populate our hard work with software default settings, which are a good place to start but can be customized to suit your needs. [...] Color - if used prudently - makes our visualizations more digestible and more informative." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"Data becomes more useful once it’s transformed into a data visualization or used in a data story. Data storytelling is the ability to effectively communicate insights from a dataset using narratives and visualizations. It can be used to put data insights into context and inspire action from your audience. Color can be very helpful when you are trying to make information stand out within your data visualizations." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"Data storytelling is a method of communicating information that is custom-fit for a specific audience and offers a compelling narrative to prove a point, highlight a trend, make a sale, or all of the above. [...] Data storytelling combines three critical components, storytelling, data science, and visualizations, to create not just a colorful chart or graph, but a work of art that carries forth a narrative complete with a beginning, middle, and end." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"Data visualization is the practice of taking insights found in data analysis and turning them into numbers, graphs, charts, and other visual concepts to make them easier to grasp, understand, learn from, and utilize.[...] The visualization of data can be thought of as both a science and an art in that the way it is displayed is often as important to its understanding as the actual information that is being displayed." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"Good data stories have three key components: data, narrative, and visuals. [...] The data part is fairly obvious - data has to be accurate for the correct insights to be achieved. The narrative has to give a voice to the data in simple language, turning each data point into a character in the story with its own tale to tell. The visuals are what we are most concerned about. They have to allow us to be able to find trends and patterns in our datasets and do so easily and specifically. The last thing we want is for the most important points to be buried in rows and columns." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"One tip to keep an audience focused on your story without overwhelming them is to reduce the saturation of the colors [...] When you lower the brightness and intensity, you are reducing the cognitive load that your audience has to bear. [...] Regardless of what combinations you decide on, you need to avoid pure colors that are bright and saturated." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"Our machines are helpers, not decision makers. Their insights are not the final word in the discussion, merely the work of our most nimble observers who can ramp up time spent on analysis by factors that our counterparts even a generation ago would have a hard time believing." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"Sometimes, adding a divider to a visualization can help transform it from something that’s difficult to understand into a more effective visual." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"The lack of focus and commitment to color is a perplexing thing. When used correctly, color has no equal as a visualization tool - in advertising, in branding, in getting the message across to any audience you seek. Data analysts can make numbers dance and sing on command, but they sometimes struggle to create visually stimulating environments that convince the intended audience to tap their feet in time." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"The practice of finding relationships between different sets of data - also known as correlations - is the bread and butter of what data analysis, and by proxy data visualization, is all about." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"Visualizations can remove the background noise from enormous sets of data so that only the most important points stand out to the intended audience. This is particularly important in the era of big data. The more data there is, the more chance for noise and outliers to interfere with the core concepts of the data set." (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

"When the colors are dull and neutral, they can communicate a sense of uniformity and an aura of calmness. Grays do a great job of mapping out the context of your story so that the more sharp colors highlight what you’re trying to explain. The power of gray comes in handy for all of our supporting details such as the axis, gridlines, and nonessential data that is included for comparative purposes. By using gray as the primary color in a visualization, we automatically draw our viewers’ eyes to whatever isn’t gray. That way, if we are interested in telling a story about one data point, we can do so quite easily."  (Kate Strachnyi, "ColorWise: A Data Storyteller’s Guide to the Intentional Use of Color", 2023)

✏️Anna C Rogers - Collected Quotes

"A drawing can show a true picture of both the situation as a whole and its separate components at a glance, and do the job better than could figures or the spoken word. In its essence, a chart is a medium of communication conveying a thought, an idea, a situation from one mind to another and not a work of art or a statistical table. The simpler, the more direct it is, the better it will perform that service which is its sole function." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"Although flow charts are not used to portray or interpret statistical data, they possess definite utility for certain kinds of research and administrative problems. With a well-designed flow chart it is possible to present a large number of facts and relationships simply, clearly, and accurately, without resorting to extensive or involved verbal description." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"Circles of different size, however cannot properly be used to compare the size of different totals. This is because the reader does not know whether to compare the diameters or the areas (which vary as the squares of the diameters), and is likely to misjudge the comparison in either ease. Usually the circles are drawn so that their diameters are in correct proportion to each other; but then the area comparison is exaggerated. Component bars should be used to show totals of different size since their one dimension lengths can be easily judged not only for the totals themselves but for the component parts as well. Circles, therefore, can show proportions properly by variations in angles of sectors but not by variations in diameters."  (Anna C Rogers, "Graphic Charts Handbook", 1961)

"Correct emphasis is basic to effective graphic presentation. Intensity of color is the simplest method of obtaining emphasis. For most reproduction purposes black ink on a white page is most generally used.  Screens, dots and lines can, of course, be effectively used to give a gradation of tone from light grey to solid black. When original charts are the subjects of display presentation, use of colors is limited only by the subject and the emphasis desired." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"In line charts the grid structure plays a controlling role in interpreting facts. The number of vertical rulings should be sufficient to indicate the frequency of the plottings, facilitate the reading of the time values on the horizontal scale. and indicate the interval or subdivision of time." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"Many people use statistics as a drunkard uses a street lamp - for support rather than illumination. It is not enough to avoid outright falsehood; one must be on the alert to detect possible distortion of truth. One can hardly pick up a newspaper without seeing some sensational headline based on scanty or doubtful data." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"Pie charts have weaknesses and dangers inherent in their design and application. First, it is generally inadvisable to attempt to portray more than four or five categories in a circle chart, especially if several small sectors are of approximately the same size.  It may be very confusing to differentiate the relative values. Secondly, the pie chart loses effectiveness if an effort is made to compare the component values of several circles, as might occur in a temporal or geographical series. [...] Thirdly, although values are measured by distances along the arc of the circle, there is a tendency to estimate values in terms of areas by size of angle. The 100-percent bar chart is often preferable to the circle chart's angle and area comparison as it is easier to divide into parts, more convenient to use, has sections that may be shaded for contrast with grouping possible by bracketing, and has an easily readable percentage scale outside the bars." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"Simplicity, accuracy. appropriate size, proper proportion, correct emphasis, and skilled execution - these are the factors that produce the effective chart. To achieve simplicity your chart must be designed with a definite audience in mind, show only essential information. Technical terms should be absent as far as possible. And in case of doubt it is wiser to oversimplify than to make matters unduly complex. Be careful to avoid distortion or misrepresentation. Accuracy in graphics is more a matter of portraying a clear reliable picture than reiterating exact values. Selecting the right scales and employing authoritative titles and legends are as important as precision plotting. The right size of a chart depends on its probable use, its importance, and the amount of detail involved." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"Since bars represent magnitude by their length, the zero line must be shown and the arithmetic scale must not be broken. Occasionally an excessively long bar in a series of bars may be broken off at the end, and the amount involved shown directly beyond it, without distorting the general trend of the other bars, but this practice applies solely when only one bar exceeds the scale." (Anna C Rogers, "Graphic Charts Handbook", 1961)

 "The common bar chart is particularly appropriate for comparing magnitude or size of coordinate items or parts of a total. It is one of the most useful, simple, and adaptable techniques in graphic presentation. The basis of comparison in the bar chart is linear or one-dimensional. The length of each bar or of its components is proportional to the quantity or amount of each category represented." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"The fact that index numbers attempt to measure changes of items gives rise to some knotty problems. The dispersion of a group of products increases with the passage of time, principally because some items have a long-run tendency to fall while others tend to rise. Basic changes in the demand is fundamentally responsible. The averages become less and less representative as the distance from the period increases." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"The impression created by a chart depends to a great extent on the shape of the grid and the distribution of time and amount scales. When your individual figures are a part of a series make sure your own will harmonize with the other illustrations in spacing of grid rulings, lettering, intensity of lines, and planned to take the same reduction by following the general style of the presentation." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"The ratio chart not only correctly represents relative changes but also indicates absolute amounts at the same time. Because of its distinctive structure, it is referred to as a semilogarithmic chart. The vertical axis is ruled logarithmically and the horizontal axis arithmetically. The continued narrowing of the spacings of the scale divisions on the vertical axis is characteristic of logarithmic rulings; the equal intervals on the horizontal axis are indicative of arithmetic rulings." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"Without adequate planning, it is seldom possible to achieve either proper emphasis of each component element within the chart or a presentation that is pleasing in its entirely. Too often charts are developed around a single detail without sufficient regard for the work as a whole. Good chart design requires consideration of these four major factors: (1) size, (2) proportion, (3) position and margins, and (4) composition." (Anna C Rogers, "Graphic Charts Handbook", 1961)

✏️Peter H Selby - Collected Quotes

"A graph presents a limited number of figures in a bold and forceful manner. To do this it usually must omit a large number of figures available on the subject. The choice of what graphic format to use is largely a matter of deciding what figures have the greatest significance to the intended reader and what figures he can best afford to skip." (Peter H Selby, "Interpreting Graphs and Tables", 1976)

"A statistical table is a systematic arrangement of numerical data in columns and rows. Its purpose is to show quantitative facts clearly, concisely, and effectively. It should facilitate an understanding of the logical relationships among the numbers presented. Tables are used in the compilation of raw data, in the summarizing and analytic processes, and in the presentation of statistics in final form. A good table is the product of careful thinking and hard work. It is not just a package of figures put into neat compartments and ruled to make it look more attractive. It contains carefully selected data put together with thought and ingenuity to serve a specific purpose." (Peter H Selby, "Interpreting Graphs and Tables", 1976)

"Pie charts are awkward to label and do not fit as well on a report page as bar comparisons (vertical or horizontal). Thus a series of pies is less effective than a series of subdivided bars (or columns) for comparing a group of subdivided totals. Several pies require much more space than several bars. Moreover, the comparable components often are in a different location in each pie and so are hard to compare." (Peter H Selby, "Interpreting Graphs and Tables", 1976)

"Probably one of the most common misuses (intentional or otherwise) of a graph is the choice of the wrong scale - wrong, that is, from the standpoint of accurate representation of the facts. Even though not deliberate, selection of a scale that magnifies or reduces - even distorts - the appearance of a curve can mislead the viewer." (Peter H Selby, "Interpreting Graphs and Tables", 1976)

"Remember, the primary function of a graph of any kind is to illustrate the relationship between two variables. [...] To draw any graph we must have established some relationship between the two variables. This relationship can be in the form of a formula (equation is the more mathematical term), as we have just seen, or simply a set of observations, as is common in all types of statistical work. Sometimes we develop set of observations and then try to find an equation that expresses, in mathematical language, the relationship between the two variables." (Peter H Selby, "Interpreting Graphs and Tables", 1976)

"Tables are [...] the backbone of most statistical reports. They provide the basic substance and foundation on which conclusions can be based. They are considered valuable for the following reasons: (1) Clarity - they present many items of data in an orderly and organized way. (2) Comprehension - they make it possible to compare many figures quickly. (3) Explicitness - they provide actual numbers which document data presented in accompanying text and charts. (4) Economy - they save space, and words. (5) Convenience - they offer easy and rapid access to desired items of information." (Peter H Selby, "Interpreting Graphs and Tables", 1976)

"The circle graph, or pie chart, appears to simple and 'nonstatistical', so it is a popular form of presentation for general readers. However, since the eye can compare linear distances more easily and accurately than angles or areas, the component parts of a total usually can be shown more effectively in a chart using linear measurement." (Peter H Selby, "Interpreting Graphs and Tables", 1976)

✏️Bruce Robertson - Collected Quotes

"A chart is a bridge between you and your readers. It reveals your skills at comprehending the source information, at mastering presentation methods and at producing the design. Its success depends a great deal on your readers' understanding of what you are saying, and how you are saying it. Consider how they will use your chart. Will they want to find out from it more information about the subject? Will they just want a quick impression of the data? Or will they use it as a source for their own analysis? Charts rely upon a visual language which both you and your readers must understand." (Bruce Robertson, "How to Draw Charts & Diagrams", 1988)

"Charts and diagrams are the visual presentation of information. Since text and tables of information require close study to obtain the more general impressions of the subject, charts can be used to present readily understandable, easily digestible and, above all, memorable solutions." (Bruce Robertson, "How to Draw Charts & Diagrams", 1988)

"Charts offer opportunities to distort information, to misinform. An old adage can be extended to read: 'There are lies, damned lies, statistics and charts'. Our visual impressions are often more memorable than our understanding of the facts they describe. [...] Never let your design enthusiasms overrule your judgement of the truth." (Bruce Robertson, "How to Draw Charts & Diagrams", 1988)

"Good graphics can be spoiled by bad annotation. Labels must always be subservient to the information to be conveyed, and legibility should never be sacrificed for style. All the information on the sheet should be easy to read, and more important, easy to interpret. The priorities of the information should be clearly expressed by the use of differing sizes, weights and character of letters." (Bruce Robertson, "How to Draw Charts & Diagrams", 1988)

"Maps containing marks that indicate a variety of features at specific locations are easy to produce and often revealing for the reader. You can use dots, numbers, and shapes, with or without keys. The basic map must always be simple and devoid of unnecessary detail. There should be no ambiguity about what happens where." (Bruce Robertson, "How to Draw Charts & Diagrams", 1988)

"Maps used as charts do not need fine cartographic detail. Their purpose is to express ideas, explain relationships, or store data for consultation. Keep your maps simple. Edit out irrelevant detail. Without distortion, try to present the facts as the main feature of your map, which should serve only as a springboard for the idea you're trying to put across." (Bruce Robertson, "How to Draw Charts & Diagrams", 1988)

"Scatter charts show the relationships between information, plotted as points on a grid. These groupings can portray general features of the source data, and are useful for showing where correlationships occur frequently. Some scatter charts connect points of equal value to produce areas within the grid which consist of similar features." (Bruce Robertson, "How to Draw Charts & Diagrams", 1988)

"Wherever information has to be presented, charts offer an alternative to text and tables of figures. They are concise, memorable often intelligible without language, and can make significant additions to the story." (Bruce Robertson, "How to Draw Charts & Diagrams", 1988)