📉Graphical Representation: Precision (Just the Quotes)

"Numerical facts, like other facts, are but the raw materials of knowledge, upon which our reasoning faculties must be exerted in order to draw forth the principles of nature. [...] Numerical precision is the soul of science [...]" (William S Jevons, "The Principles of Science: A Treatise on Logic and Scientific Method", 1874)

"Percentages offer a fertile field for confusion. And like the ever-impressive decimal they can lend an aura of precision to the inexact. […] Any percentage figure based on a small number of cases is likely to be misleading. It is more informative to give the figure itself. And when the percentage is carried out to decimal places, you begin to run the scale from the silly to the fraudulent." (Darell Huff, "How to Lie with Statistics", 1954)

"The precision of a number is the degree of exactness with which it is stated, while the accuracy of a number is the degree of exactness with which it is known or observed. The precision of a quantity is reported by the number of significant figures in it." (Edmund C Berkeley & Lawrence Wainwright, Computers: Their Operation and Applications", 1956)

"Simplicity, accuracy. appropriate size, proper proportion, correct emphasis, and skilled execution - these are the factors that produce the effective chart. To achieve simplicity your chart must be designed with a definite audience in mind, show only essential information. Technical terms should be absent as far as possible. And in case of doubt it is wiser to oversimplify than to make matters unduly complex. Be careful to avoid distortion or misrepresentation. Accuracy in graphics is more a matter of portraying a clear reliable picture than reiterating exact values. Selecting the right scales and employing authoritative titles and legends are as important as precision plotting. The right size of a chart depends on its probable use, its importance, and the amount of detail involved." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"Graphical excellence is the well-designed presentation of interesting data - a matter of substance, of statistics, and of design. Graphical excellence consists of complex ideas communicated with clarity, precision, and efficiency. Graphical excellence is that which gives to the viewer the greatest number of ideas in the shortest time with the least ink in the smallest space. Graphical excellence is nearly always multivariate. And graphical excellence requires telling the truth about the data." (Edward R Tufte, "The Visual Display of Quantitative Information", 1983)

Law of Definitive Imprecision: "The weaker the data available upon which to base one's position, the greater the precision which should be quoted in order to give that data authenticity." (Norman R Augustine, "Augustine's Laws", 1983)

"Statistics can certainly pronounce a fact, but they cannot explain it without an underlying context, or theory. Numbers have an unfortunate tendency to supersede other types of knowing. […] Numbers give the illusion of presenting more truth and precision than they are capable of providing." (Ronald J Baker, "Measure what Matters to Customers: Using Key Predictive Indicators", 2006)

"Numerical precision should be consistent throughout and summary statistics such as means and standard deviations should not have more than one extra decimal place (or significant digit) compared to the raw data. Spurious precision should be avoided although when certain measures are to be used for further calculations or when presenting the results of analyses, greater precision may sometimes be appropriate." (Jenny Freeman et al, "How to Display Data", 2008)

"An indication that the data is not statistically sound is when it is almost too precise." (Brian Suda, "A Practical Guide to Designing with Data", 2010)

"We must not rush to conclude that we should always select the encoding that ensures a maximum degree of precision, which in practice would result in the exclusive use of dot charts, since those represent the example of 'position in a common scale'. "(Jorge Camões, "Data at Work: Best practices for creating effective charts and information graphics in Microsoft Excel", 2016)

"In statistics, 'error' is not a synonym for 'mistake', but rather a synonym for 'uncertainty.' Error means that any estimate we make, no matter how precise it looks in our chart or article [...] is usually a middle point of a range of possible values." (Alberto Cairo, "How Charts Lie", 2019)

"Numbers are ideal vehicles for promulgating bullshit. They feel objective, but are easily manipulated to tell whatever story one desires. Words are clearly constructs of human minds, but numbers? Numbers seem to come directly from Nature herself. We know words are subjective. We know they are used to bend and blur the truth. Words suggest intuition, feeling, and expressivity. But not numbers. Numbers suggest precision and imply a scientific approach. Numbers appear to have an existence separate from the humans reporting them." (Carl T Bergstrom & Jevin D West, "Calling Bullshit: The Art of Skepticism in a Data-Driven World", 2020)

"Every time we decide to use a particular data set in a project, we vouch forits accuracy and precision  -  we help reproduce its authority. One might ask why is it problematic to reproduce this authority if the data is not false, but instead accurate and precise? Part of the problem lies in the unintentional affirmation we as designers may perform. We affirm the validity of the data and prioritize this data and the reading of this data over other data. Despite our best efforts, what we do is never truly neutral, nor purely objective." (Peter A Hall & Patricio Dávila, "Critical Visualization: Rethinking the Representation of Data", 2022)

📉Graphical Representation: Insight (Just the Quotes)

"The truth is that one display is better than another if it leads to more understanding. Often a simpler display, one that tries to accomplish less at one time, succeeds in conveying more insight. In order to understand complicated or subtle structure in the data we should be prepared to look at complicated displays when necessary, but to see any particular type of structure we should use the simplest display that shows it." (John M Chambers et al, "Graphical Methods for Data Analysis", 1983)

"Understandability implies that the graph will mean something to the audience. If the presentation has little meaning to the audience, it has little value. Understandability is the difference between data and information. Data are facts. Information is facts that mean something and make a difference to whoever receives them. Graphic presentation enhances understanding in a number of ways. Many people find that the visual comparison and contrast of information permit relationships to be grasped more easily. Relationships that had been obscure become clear and provide new insights." (Anker V Andersen, "Graphing Financial Information: How accountants can use graphs to communicate", 1983)

"Why does representing information in terms of natural frequencies rather than probabilities or percentages foster insight? For two reasons. First, computational simplicity: The representation does part of the computation. And second, evolutionary and developmental primacy: Our minds are adapted to natural frequencies." (Gerd Gigerenzer, "Calculated Risks: How to know when numbers deceive you", 2002)

"Dashboards aren't all that different from some of the other means of presenting information, but when properly designed the single-screen display of integrated and finely tuned data can deliver insight in an especially powerful way." (Richard Brath & Michael Peters, "Dashboard Design: Why Design is Important," DM Direct, 2004)

"Graphical displays are often constructed to place principal focus on the individual observations in a dataset, and this is particularly helpful in identifying both the typical positions of datapoints and unusual or influential cases. However, in many investigations, principal interest lies in identifying the nature of underlying trends and relationships between variables, and so it is often helpful to enhance graphical displays in ways which give deeper insight into these features. This can be very beneficial both for small datasets, where variation can obscure underlying patterns, and large datasets, where the volume of data is so large that effective representation inevitably involves suitable summaries." (Adrian W Bowman, "Smoothing Techniques for Visualisation" [in "Handbook of Data Visualization"], 2008)

"The main goal of data visualization is its ability to visualize data, communicating information clearly and effectively. It doesn’t mean that data visualization needs to look boring to be functional or extremely sophisticated to look beautiful. To convey ideas effectively, both aesthetic form and functionality need to go hand in hand, providing insights into a rather sparse and complex dataset by communicating its key aspects in a more intuitive way. Yet designers often tend to discard the balance between design and function, creating gorgeous data visualizations which fail to serve its main purpose - communicate information." (Vitaly Friedman, "Data Visualization and Infographics", Smashing Magazine, 2008)

"For a visual to qualify as beautiful, it must be aesthetically pleasing, yes, but it must also be novel, informative, and efficient. [...] For a visual to truly be beautiful, it must go beyond merely being a conduit for information and offer some novelty: a fresh look at the data or a format that gives readers a spark of excitement and results in a new level of understanding. Well-understood formats (e.g., scatterplots) may be accessible and effective, but for the most part they no longer have the ability to surprise or delight us. Most often, designs that delight us do so not because they were designed to be novel, but because they were designed to be effective; their novelty is a byproduct of effectively revealing some new insight about the world." (Noah Iliinsky, "On Beauty", [in "Beautiful Visualization"] 2010)

"Done well, annotation can help explain and facilitate the viewing and interpretive experience. It is the challenge of creating a layer of user assistance and user insight: how can you maximize the clarity and value of engaging with this visualization design?" (Andy Kirk, "Data Visualization: A successful design process", 2012)

"A common mistake is that all visualization must be simple, but this skips a step. You should actually design graphics that lend clarity, and that clarity can make a chart 'simple' to read. However, sometimes a dataset is complex, so the visualization must be complex. The visualization might still work if it provides useful insights that you wouldn’t get from a spreadsheet. […] Sometimes a table is better. Sometimes it’s better to show numbers instead of abstract them with shapes. Sometimes you have a lot of data, and it makes more sense to visualize a simple aggregate than it does to show every data point." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"Data visualizations are designed to emphasize patterns and deviations in data. In fact, each specific chart type is well suited to highlighting particular forms of insight. A skilled author of data products will choose the right visualization to emphasize a message. The data, chart, and supporting descriptions should work in harmony to point out what is interesting. The reader simply goes along for the ride." (Zach Gemignani et al, "Data Fluency", 2014)

"For every rule in data visualization, there is a scenario where that rule should be broken. This means that choosing the best chart or the best design is always a trade-off between several conflicting goals. Our imperfect perception means that data visualization has a larger subjective dimension than a data table. Sometimes we only need this subjective, impressionist dimension and other times we need to translate it into hard figures. Striving for accuracy is important, but it’s more important to provide those insights that only a visual display can reveal." (Jorge Camões, "Data at Work: Best practices for creating effective charts and information graphics in Microsoft Excel", 2016)

"Are your insights based on data that is accurate and reliable? Trustworthy data is correct or valid, free from significant defects and gaps. The trustworthiness of your data begins with the proper collection, processing, and maintenance of the data at its source. However, the reliability of your numbers can also be influenced by how they are handled during the analysis process. Clean data can inadvertently lose its integrity and true meaning depending on how it is analyzed and interpreted." (Brent Dykes, "Effective Data Storytelling: How to Drive Change with Data, Narrative and Visuals", 2019)

"Before you can even consider creating a data story, you must have a meaningful insight to share. One of the essential attributes of a data story is a central or main insight. Without a main point, your data story will lack purpose, direction, and cohesion. A central insight is the unifying theme (telos appeal) that ties your various findings together and guides your audience to a focal point or climax for your data story. However, when you have an increasing amount of data at your disposal, insights can be elusive. The noise from irrelevant and peripheral data can interfere with your ability to pinpoint the important signals hidden within its core." (Brent Dykes, "Effective Data Storytelling: How to Drive Change with Data, Narrative and Visuals", 2019)

"When narrative is coupled with data, it helps to explain to your audience what’s happening in the data and why a particular insight is important. Ample context and commentary are often needed to fully appreciate an analysis finding. The narrative element adds structure to the data and helps to guide the audience through the meaning of what’s being shared." (Brent Dykes, "Effective Data Storytelling: How to Drive Change with Data, Narrative and Visuals", 2019)

📉Graphical Representation: Communication (Just the Quotes)

"Good design looks right. It is simple (clear and uncomplicated). Good design is also elegant, and does not look contrived. A map should be aesthetically pleasing, thought provoking, and communicative." (Arthur H Robinson, "Elements of Cartography", 1953)

"A drawing can show a true picture of both the situation as a whole and its separate components at a glance, and do the job better than could figures or the spoken word. In its essence, a chart is a medium of communication conveying a thought, an idea, a situation from one mind to another and not a work of art or a statistical table. The simpler, the more direct it is, the better it will perform that service which is its sole function." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"To see is to reason. Thus, the use of visual forms of communication has great potential for influencing what a person thinks. Graphic presentation is always much more than a way to present just facts or information. Rather, it is a way to influence thought, and, as such, graphics can be a powerful mode of persuasion." (Robert Lefferts, "Elements of Graphics: How to prepare charts and graphs for effective reports", 1981)

"Graphical excellence is the well-designed presentation of interesting data - a matter of substance, of statistics, and of design. Graphical excellence consists of complex ideas communicated with clarity, precision, and efficiency. Graphical excellence is that which gives to the viewer the greatest number of ideas in the shortest time with the least ink in the smallest space. Graphical excellence is nearly always multivariate. And graphical excellence requires telling the truth about the data." (Edward R Tufte, "The Visual Display of Quantitative Information", 1983)

"The effective communication of information in visual form, whether it be text, tables, graphs, charts or diagrams, requires an understanding of those factors which determine the 'legibility', 'readability' and 'comprehensibility', of the information being presented. By legibility we mean: can the data be clearly seen and easily read? By readability we mean: is the information set out in a logical way so that its structure is clear and it can be easily scanned? By comprehensibility we mean: does the data make sense to the audience for whom it is intended? Is the presentation appropriate for their previous knowledge, their present information needs and their information processing capacities?" (Linda Reynolds & Doig Simmonds, "Presentation of Data in Science" 4th Ed, 1984)

"Despite the prevailing use of graphs as metaphors for communicating and reasoning about dependencies, the task of capturing informational dependencies by graphs is not at all trivial." (Judea Pearl, "Probabilistic Reasoning in Intelligent Systems: Network of Plausible Inference", 1988)

"We envision information in order to reason about, communicate, document, and preserve that knowledge - activities nearly always carried out on two-dimensional paper and computer screen. Escaping this flatland and enriching the density of data displays are the essential tasks of information design." (Edward R Tufte, "Envisioning Information", 1990)

"A good chart delineates and organizes information. It communicates complex ideas, procedures, and lists of facts by simplifying, grouping, and setting and marking priorities. By spatial organization, it should lead the eye through information smoothly and efficiently." (Mary H Briscoe, "Preparing Scientific Illustrations: A guide to better posters, presentations, and publications" 2nd ed., 1995)

"Graphical design notations have been with us for a while [...] their primary value is in communication and understanding. A good diagram can often help communicate ideas about a design, particularly when you want to avoid a lot of details. Diagrams can also help you understand either a software system or a business process. As part of a team trying to figure out something, diagrams both help understanding and communicate that understanding throughout a team. Although they aren't, at least yet, a replacement for textual programming languages, they are a helpful assistant." (Martin Fowler, "UML Distilled: A Brief Guide to the Standard Object Modeling", 2004)

"One graph is more effective than another if its quantitative information can be decoded more quickly or more easily by most observers. […] This definition of effectiveness assumes that the reason we draw graphs is to communicate information - but there are actually many other reasons to draw graphs." (Naomi B Robbins, "Creating More effective Graphs", 2005)

"An effective dashboard is the product not of cute gauges, meters, and traffic lights, but rather of informed design: more science than art, more simplicity than dazzle. It is, above all else, about communication." (Stephen Few, "Information Dashboard Design", 2006)

"Most dashboards fail to communicate efficiently and effectively, not because of inadequate technology (at least not primarily), but because of poorly designed implementations. No matter how great the technology, a dashboard's success as a medium of communication is a product of design, a result of a display that speaks clearly and immediately. Dashboards can tap into the tremendous power of visual perception to communicate, but only if those who implement them understand visual perception and apply that understanding through design principles and practices that are aligned with the way people see and think." (Stephen Few, "Information Dashboard Design", 2006)

"Communication is the primary goal of data visualization. Any element that hinders - rather than helps - the reader, then, needs to be changed or removed: labels and tags that are in the way, colors that confuse or simply add no value, uncomfortable scales or angles. Each element needs to serve a particular purpose toward the goal of communicating and explaining information. Efficiency matters, because if you’re wasting a viewer’s time or energy, they’re going to move on without receiving your message." (Noah Iliinsky & Julie Steel, "Designing Data Visualizations", 2011)

"The art side of the field [data visualization] refers to the scope for unleashing design flair and encouraging innovation, where you strive to design communications that appeal on an aesthetic level and then survive in the mind on an emotional one." (Andy Kirk, "Data Visualization: A successful design process", 2012)

"[...] communicating with data is less often about telling a specific story and more like starting a guided conversation. It is a dialogue with the audience rather than a monologue. While some data presentations may share the linear approach of a traditional story, other data products (analytical tools, in particular) give audiences the flexibility for exploration. In our experience, the best data products combine a little of both: a clear sense of direction defined by the author with the ability for audiences to focus on the information that is most relevant to them. The attributes of the traditional story approach combined with the self-exploration approach leads to the guided safari analogy." (Zach Gemignani et al, "Data Fluency", 2014)

"Commonly, data do not make a clear and unambiguous statement about our world, often requiring tools and methods to provide such clarity. These methods, called statistical data analysis, involve collecting, manipulating, analyzing, interpreting, and presenting data in a form that can be used, understood, and communicated to others." (Forrest W Young et al, "Visual Statistics: Seeing data with dynamic interactive graphics", 2016)

"The first rule of communication is to shut up and listen, so that you can get to know about the audience for your communication, whether it might be politicians, professionals or the general public. We have to understand their inevitable limitations and any misunderstandings, and fight the temptation to be too sophisticated and clever, or put in too much detail." (David Spiegelhalter, "The Art of Statistics: Learning from Data", 2019)

"The second rule of communication is to know what you want to achieve. Hopefully the aim is to encourage open debate, and informed decision-making. But there seems no harm in repeating yet again that numbers do not speak for themselves; the context, language and graphic design all contribute to the way the communication is received. We have to acknowledge we are telling a story, and it is inevitable that people will make comparisons and judgements, no matter how much we only want to inform and not persuade. All we can do is try to pre-empt inappropriate gut reactions by design or warning." (David Spiegelhalter, "The Art of Statistics: Learning from Data", 2019)

"While visuals are an essential part of data storytelling, data visualizations can serve a variety of purposes from analysis to communication to even art. Most data charts are designed to disseminate information in a visual manner. Only a subset of data compositions is focused on presenting specific insights as opposed to just general information. When most data compositions combine both visualizations and text, it can be difficult to discern whether a particular scenario falls into the realm of data storytelling or not." (Brent Dykes, "Effective Data Storytelling: How to Drive Change with Data, Narrative and Visuals", 2019)

"Communicating data through functionally aesthetic charts is not only about perception and precision but also understanding." (Vidya Setlur & Bridget Cogley, "Functional Aesthetics for data visualization", 2022)

"Communication requires the ability to expand or contract a message based on norms within a given culture or language. Expansion provides more detail, sometimes adding in information that is culturally relevant or needed for the person to understand. Contraction preserves the same intent but discards information that isn't needed by that person. Some concepts in certain situations require greater detail than others." (Vidya Setlur & Bridget Cogley, "Functional Aesthetics for data visualization", 2022)

"Conversational repair is the process people use to detect and resolve problems in communicating, receiving, and understanding. Through repair, participants in social interaction display how they establish and maintain communication and mutual understanding. Language interpretation formalizes multiple levels of repair, from monitoring and evaluating various benchmarks of accuracy to proper ways to intervene and seek clarification." (Vidya Setlur & Bridget Cogley, "Functional Aesthetics for data visualization", 2022)

📉Graphical Representation: Attention (Just the Quotes)

"The visible figures by which principles are illustrated should, so far as possible, have no accessories. They should be magnitudes pure and simple, so that the thought of the pupil may not be distracted, and that he may know what features of the thing represented he is to pay attention to." (National Education Association, 1894)

"Though variety in method of charting is sometimes desirable in large reports where numerous illustrations must follow each other closely, or in wall exhibits where there must be a great number of charts in rapid sequence, it is better in general to use a variety of effects simply to attract attention, and to present the data themselves according to standard well-known methods." (Willard C Brinton, "Graphic Methods for Presenting Facts", 1919)

"Graphic charts have often been thought to be tools of those alone who are highly skilled in mathematics, but one needs to have a knowledge of only eighth-grade arithmetic to use intelligently even the logarithmic or ratio chart, which is considered so difficult by those unfamiliar with it. […] If graphic methods are to be most effective, those who are unfamiliar with charts must give some attention to their fundamental structure. Even simple charts may be misinterpreted unless they are thoroughly understood. For instance, one is not likely to read an arithmetic chart correctly unless he also appreciates the significance of a logarithmic chart." (John R Riggleman & Ira N Frisbee, "Business Statistics", 1938)

"In making up the charts, keep them simple. One idea to a page and not too much detail is a good rule. Try to get variety in the subject matter - now a chart, next a diagram, then a tabulation. Such variety helps hold audience attention." (Edward J Hegarty, "How to Use a Set of Display Charts", The American Statistician Vol. 2 (5), 1948)

"Charts and graphs are a method of organizing information for a unique purpose. The purpose may be to inform, to persuade, to obtain a clear understanding of certain facts, or to focus information and attention on a particular problem. The information contained in charts and graphs must, obviously, be relevant to the purpose. For decision-making purposes. information must be focused clearly on the issue or issues requiring attention. The need is not simply for 'information', but for structured information, clearly presented and narrowed to fit a distinctive decision-making context. An advantage of having a 'formula' or 'model' appropriate to a given situation is that the formula indicates what kind of information is needed to obtain a solution or answer to a specific problem." (Cecil H Meyers, "Handbook of Basic Graphs: A modern approach", 1970)

"Graphic misrepresentation is a frequent misuse in presentations to the nonprofessional. The granddaddy of all graphical offenses is to omit the zero on the vertical axis. As a consequence, the chart is often interpreted as if its bottom axis were zero, even though it may be far removed. This can lead to attention-getting headlines about 'a soar' or 'a dramatic rise (or fall)'. A modest, and possibly insignificant, change is amplified into a disastrous or inspirational trend." (Herbert F Spirer et al, "Misused Statistics" 2nd Ed, 1998)

"Color can tell us where to look, what to compare and contrast, and it can give us a visual scale of measure. Because color can be so effective, it is often used for multiple purposes in the same graphic - which can create graphics that are dazzling but difficult to interpret. Separating the roles that color can play makes it easier to apply color specifically for encouraging different kinds of visual thinking. [...] Choose colors to draw attention, to label, to show relationships (compare and contrast), or to indicate a visual scale of measure." (Felice C Frankel & Angela H DePace, "Visual Strategies", 2012)

"Competition for your audiences attention is fierce. The fact that infographics are unique allows organizations an opportunity to make the content they are publishing stand out and get noticed." (Mark Smiciklas, "The Power of Inforgraphics", 2012)

"Upon discovering a visual image, the brain analyzes it in terms of primitive shapes and colors. Next, unity contours and connections are formed. As well, distinct variations are segmented. Finally, the mind attracts active attention to the significant things it found. That process is permanently running to react to similarities and dissimilarities in shapes, positions, rhythms, colors, and behavior. It can reveal patterns and pattern-violations among the hundreds of data values. That natural ability is the most important thing used in diagramming." (Vasily Pantyukhin, "Principles of Design Diagramming", 2015)

"Using a table in a live presentation is rarely a good idea. As your audience reads it, you lose their ears and attention to make your point verbally." (Cole N Knaflic, "Storytelling with Data: A Data Visualization Guide for Business Professionals", 2015)

"Usually, diagrams contain some noise - information unrelated to the diagram’s primary goal. Noise is decorations, redundant, and irrelevant data, unnecessarily emphasized and ambiguous icons, symbols, lines, grids, or labels. Every unnecessary element draws attention away from the central idea that the designer is trying to share. Noise reduces clarity by hiding useful information in a fog of useless data. You may quickly identify noise elements if you can remove them from the diagram or make them less intense and attractive without compromising the function." (Vasily Pantyukhin, "Principles of Design Diagramming", 2015)

"Data storytelling gives your insight the best opportunity to capture attention, be understood, be remembered, and be acted on. An effective data story helps your insight reach its full potential: inspiring others to act and drive change." (Brent Dykes, "Effective Data Storytelling: How to Drive Change with Data, Narrative and Visuals", 2019)

"People see bar charts and line charts and pie charts all the time, and those charts are often boring. Boring graphs are forgettable. Different shapes and uncommon forms that move beyond the borders of our typical data visualization experience can draw readers in." (Jonathan Schwabish, "Better Data Visualizations: A guide for scholars, researchers, and wonks", 2021)

"Data generation is part of knowledge production. It is the generation of material that can help frame a debate or dispel a myth. As designers of visualizations, we choose what data and which stories are amplified through our work. As critical visualization designers, we assume a responsibility for producing those stories and for the ways they were produced." (Peter A Hall & Patricio Dávila, "Critical Visualization: Rethinking the Representation of Data", 2022)

📉Graphical Representation: Simplicity (Just the Quotes)

"Graphic charts have often been thought to be tools of those alone who are highly skilled in mathematics, but one needs to have a knowledge of only eighth-grade arithmetic to use intelligently even the logarithmic or ratio chart, which is considered so difficult by those unfamiliar with it. […] If graphic methods are to be most effective, those who are unfamiliar with charts must give some attention to their fundamental structure. Even simple charts may be misinterpreted unless they are thoroughly understood. For instance, one is not likely to read an arithmetic chart correctly unless he also appreciates the significance of a logarithmic chart." (John R Riggleman & Ira N Frisbee, "Business Statistics", 1938)

"In many instances, a picture is indeed worth a thousand words. To make this true in more diverse circumstances, much more creative effort is needed to pictorialize the output from data analysis. Naive pictures are often extremely helpful, but more sophisticated pictures can be both simple and even more informative." (John W Tukey & Martin B Wilk, "Data Analysis and Statistics: An Expository Overview", 1966)

"Pencil and paper for construction of distributions, scatter diagrams, and run-charts to compare small groups and to detect trends are more efficient methods of estimation than statistical inference that depends on variances and standard errors, as the simple techniques preserve the information in the original data." (W Edwards Deming, "On Probability as Basis for Action", American Statistician Vol. 29 (4), 1975)

"The more complex the shape of any object. the more difficult it is to perceive it. The nature of thought based on the visual apprehension of objective forms suggests, therefore, the necessity to keep all graphics as simple as possible. Otherwise, their meaning will be lost or ambiguous, and the ability to convey the intended information and to persuade will be inhibited." (Robert Lefferts, "Elements of Graphics: How to prepare charts and graphs for effective reports", 1981)

"Understanding is accomplished through: (a) the use of relative size of the shapes used in the graphic; (b) the positioning of the graphic-line forms; (c) shading; (d) the use of scales of measurement; and (e) the use of words to label the forms in the graphic. In addition. in order for a person to attach meaning to a graphic it must also be simple, clear, and appropriate." (Robert Lefferts, "Elements of Graphics: How to prepare charts and graphs for effective reports", 1981)

"The truth is that one display is better than another if it leads to more understanding. Often a simpler display, one that tries to accomplish less at one time, succeeds in conveying more insight. In order to understand complicated or subtle structure in the data we should be prepared to look at complicated displays when necessary, but to see any particular type of structure we should use the simplest display that shows it." (John M Chambers et al, "Graphical Methods for Data Analysis", 1983)

"What about confusing clutter? Information overload? Doesn't data have to be ‘boiled down’ and  ‘simplified’? These common questions miss the point, for the quantity of detail is an issue completely separate from the difficulty of reading. Clutter and confusion are failures of design, not attributes of information." (Edward R Tufte, "Envisioning Information", 1990)

"Graphical illustrations should be simple and pleasing to the eye, but the presentation must remain scientific. In other words, we want to avoid those graphical features that are purely decorative while keeping a critical eye open for opportunities to enhance the scientific inference we expect from the reader. A good graphical design should maximize the proportion of the ink used for communicating scientific information in the overall display." (Phillip I Good & James W Hardin, "Common Errors in Statistics (and How to Avoid Them)", 2003)

"An effective dashboard is the product not of cute gauges, meters, and traffic lights, but rather of informed design: more science than art, more simplicity than dazzle. It is, above all else, about communication." (Stephen Few, "Information Dashboard Design", 2006)

"A common mistake is that all visualization must be simple, but this skips a step. You should actually design graphics that lend clarity, and that clarity can make a chart 'simple' to read. However, sometimes a dataset is complex, so the visualization must be complex. The visualization might still work if it provides useful insights that you wouldn’t get from a spreadsheet. […] Sometimes a table is better. Sometimes it’s better to show numbers instead of abstract them with shapes. Sometimes you have a lot of data, and it makes more sense to visualize a simple aggregate than it does to show every data point." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"The biggest thing to know is that data visualization is hard. Really difficult to pull off well. It requires harmonization of several skills sets and ways of thinking: conceptual, analytic, statistical, graphic design, programmatic, interface-design, story-telling, journalism - plus a bit of ‘gut feel.’ The end result is often simple and beautiful, but the process itself is usually challenging and messy." (David McCandless, 2013)

"What is good visualization? It is a representation of data that helps you see what you otherwise would have been blind to if you looked only at the naked source. It enables you to see trends, patterns, and outliers that tell you about yourself and what surrounds you. The best visualization evokes that moment of bliss when seeing something for the first time, knowing that what you see has been right in front of you, just slightly hidden. Sometimes it is a simple bar graph, and other times the visualization is complex because the data requires it." (Nathan Yau, "Data Points: Visualization That Means Something", 2013)

"It’s important to note that parsimony and simplicity are not absolute principles. We should not take them to the extreme and risk losing useful elements for understanding." (Jorge Camões, "Data at Work: Best practices for creating effective charts and information graphics in Microsoft Excel", 2016)

"Dashboards are collections of several linked visualizations all in one place. The idea is very popular as part of business intelligence: having current data on activity summarized and presented all in one place. One danger of cramming a lot of disparate information into one place is that you will quickly hit information overload. Interactivity and small multiples are definitely worth considering as ways of simplifying the information a reader has to digest in a dashboard. As with so many other visualizations, layering the detail for different readers is valuable." (Robert Grant, "Data Visualization: Charts, Maps and Interactive Graphics", 2019)

"Visualisation is any technique for creating images, diagrams or animations to communicate a message; techniques used to communicate data or information by encoding it as visual objects, e.g., points, lines or bars contained in graphics. One of the most important benefits of visualisation is that it allows us visual access to huge amounts of data in easily digestible visuals. Well designed data graphics are usually the simplest, and at the same time, the most powerful." (C S V Murthy, "Data and Businesss Analytics", 2020) 

"Cartographers employed a minimalist visual language and the simplicity of lines and geometry to lend an air of objectivity, universality and clarity. The sparse treatment of visuals suggests a more direct correspondence between the data and the representation, and less human involvement. It communicates that the image has been reduced to its bare minimum. It has been polished through successive passes to remove the unnecessary and the contingent. And in doing so, it indicates something essential and closer to a transcendent type, or perhaps an ideal." (Peter A Hall & Patricio Dávila, "Critical Visualization: Rethinking the Representation of Data", 2022)

📉Graphical Representation: Format (Just the Quotes)

"A graph presents a limited number of figures in a bold and forceful manner. To do this it usually must omit a large number of figures available on the subject. The choice of what graphic format to use is largely a matter of deciding what figures have the greatest significance to the intended reader and what figures he can best afford to skip." (Peter H Selby, "Interpreting Graphs and Tables", 1976)

"Any graphic format can be executed well, or poorly, for a particular purpose. This is often a more significant variable than the choice of format." (Macdonald-Ross, 1977)

"The main benefit of tabular presentation is its compactness; a great deal of data can be put on a single page. Also, even with the two-digit restriction a table presents numbers more exactly than bar or pie charts do. Therefore it seems likely that tables will remain the preferred format for professional users. The great weakness of tables is their abstract nature. A table consists entirely of abstract symbols-words and numbers." (Michael Macdonald-Ross, "Graphics in Texts", Review of Research in Education Vol. 5, 1977)

"Some believe that the vertical bar should be used when comparing similar items for different time periods and the horizontal bar for comparing different items for the same time period. However, most people find the vertical-bar format easier to prepare and read. and a more effective way to show most types of comparisons." (Robert Lefferts, "Elements of Graphics: How to prepare charts and graphs for effective reports", 1981)

"Charts are used to represent quantitative data in a graphic format. A chart visually illustrates relationships between numbers. When creating a chart, keep in mind that the goal is to represent the data in a simplified and appealing way so as not to muddle the message the chart is meant to convey." (Dennis K Lieu & Sheryl Sorby, "Visualization, Modeling, and Graphics for Engineering Design", 2009)

"For a visual to qualify as beautiful, it must be aesthetically pleasing, yes, but it must also be novel, informative, and efficient. [...] For a visual to truly be beautiful, it must go beyond merely being a conduit for information and offer some novelty: a fresh look at the data or a format that gives readers a spark of excitement and results in a new level of understanding. Well-understood formats (e.g., scatterplots) may be accessible and effective, but for the most part they no longer have the ability to surprise or delight us. Most often, designs that delight us do so not because they were designed to be novel, but because they were designed to be effective; their novelty is a byproduct of effectively revealing some new insight about the world." (Noah Iliinsky, "On Beauty", [in "Beautiful Visualization"] 2010)

"The first requirement of a beautiful visualization is that it is novel, fresh, or unique. It is difficult (though not impossible) to achieve the necessary novelty using default formats. In most situations, well-defined formats have well-defined, rational conventions of use: line graphs for continuous data, bar graphs for discrete data, pie graphs for when you are more interested in a pretty picture than conveying knowledge." (Noah Iliinsky, "On Beauty", [in "Beautiful Visualization"] 2010)

"The best visualizations will reveal what is interesting about the specific data set you’re working with. Different data may require different approaches, encodings, or techniques to reveal its interesting aspects. While default visualization formats are a great place to start, and may come with the correct design choices pre-selected, sometimes the data will yield new knowledge when a different visualization approach or format is used." (Noah Iliinsky & Julie Steel, "Designing Data Visualizations", 2011)

"Infographics combine data with design to enable visual learning. This communication process helps deliver complex information in a way that is more quickly and easily understood. [...] In an era of data overload, infographics offer your audience information in a format that is easy to consume and share. [...] A well-placed, self-contained infographic addresses our need to be confident about the content we’re sharing. Infographics relay the gist of your information quickly, increasing the chance for it to be shared and fueling its spread across a wide variety of digital channels." (Mark Smiciklas, "The Power of Infographics: Using Pictures to Communicate and Connect with Your Audiences", 2012)

"Presenting data in a graphical format makes it much easier to see and understand what is happening with the data. Data visualization applies to all phases of the data science process."  (John D Kelleher & Brendan Tierney, "Data Science", 2018)

"There is often no one 'best' visualization, because it depends on context, what your audience already knows, how numerate or scientifically trained they are, what formats and conventions are regarded as standard in the particular field you’re working in, the medium you can use, and so on. It’s also partly scientific and partly artistic, so you get to express your own design style in it, which is what makes it so fascinating." (Robert Grant, "Data Visualization: Charts, Maps and Interactive Graphics", 2019)

"Data is dirty. Let's just get that out there. How is it dirty? In all sorts of ways. Misspelled text values, date format problems, mismatching units, missing values, null values, incompatible geospatial coordinate formats, the list goes on and on." (Ben Jones, "Avoiding Data Pitfalls: How to Steer Clear of Common Blunders When Working with Data and Presenting Analysis and Visualizations", 2020) 

 

📉Graphical Representation: Position (Just the Quotes)

"Graphic representation by means of charts depends upon the superposition of special lines or curves upon base lines drawn or ruled in a standard manner. For the economic construction of these charts as well as their correct use it is necessary that the standard rulings be correctly designed." (Allan C Haskell, "How to Make and Use Graphic Charts", 1919)

"Without adequate planning, it is seldom possible to achieve either proper emphasis of each component element within the chart or a presentation that is pleasing in its entirely. Too often charts are developed around a single detail without sufficient regard for the work as a whole. Good chart design requires consideration of these four major factors: (1) size, (2) proportion, (3) position and margins, and (4) composition." (Anna C Rogers, "Graphic Charts Handbook", 1961)

"An organization chart is a graphic device that uses pictorial methods to show qualitative information about an organization. [...] The organization chart can be used to show one or more of three things: (1) What the various staff positions in the organization are, how they are structurally related to each other and the span of control and chain of command within the organization. (2) What the different units of the organization are and how they are arranged and related to each other. (3) What the various functions are within the organization and how they are organized and related." (Robert Lefferts, "Elements of Graphics: How to prepare charts and graphs for effective reports", 1981)

"Understanding is accomplished through: (a) the use of relative size of the shapes used in the graphic; (b) the positioning of the graphic-line forms; (c) shading; (d) the use of scales of measurement; and (e) the use of words to label the forms in the graphic. In addition. in order for a person to attach meaning to a graphic it must also be simple, clear, and appropriate." (Robert Lefferts, "Elements of Graphics: How to prepare charts and graphs for effective reports", 1981)

"The bar of a bar chart has two aspects that can be used to visually decode quantitative information-size (length and area) and the relative position of the end of the bar along the common scale. The changing sizes of the bars is an important and imposing visual factor; thus it is important that size encode something meaningful. The sizes of bars encode the magnitudes of deviations from the baseline. If the deviations have no important interpretation, the changing sizes are wasted energy and even have the potential to mislead." (William S. Cleveland, "Graphical Methods for Data Presentation: Full Scale Breaks, Dot Charts, and Multibased Logging", The American Statistician Vol. 38 (4) 1984) 

"The full break results in a graph with two juxtaposed panels. This use of juxtaposition to provide a full scale break, with each panel having a fill frame and its own scales, shows the scale break about as forcefully as possible and discourages mental visual connections by viewers and actual connections by authors." (William S. Cleveland, "Graphical Methods for Data Presentation: Full Scale Breaks, Dot Charts, and Multibased Logging", The American Statistician Vol. 38 (4) 1984) 

"When a graph is constructed, quantitative and categorical information is encoded, chiefly through position, size, symbols, and color. When a person looks at a graph, the information is visually decoded by the person's visual system. A graphical method is successful only if the decoding process is effective. No matter how clever and how technologically impressive the encoding, it is a failure if the decoding process is a failure. Informed decisions about how to encode data can be achieved only through an understanding of the visual decoding process, which is called graphical perception." (William S Cleveland, "The Elements of Graphing Data", 1985)

"Simplicity in design can be recognized in visualizations that are clear, easy to understand, uncluttered, and impactful. Nonessential items are removed from these visualizations so that the data stands out, giving it space and removing distractions. Simplicity in design pays careful attention to the overall layout and positioning of individual components, the balance of charts and text elements, and the choice of colors, fonts, and icons, as well as the clarity with which all of these elements communicate to the audience." (Andy Kriebel & Eva Murray, "#MakeoverMonday: Improving How We Visualize and Analyze Data, One Chart at a Time", 2018)

"While visuals are an essential part of data storytelling, data visualizations can serve a variety of purposes from analysis to communication to even art. Most data charts are designed to disseminate information in a visual manner. Only a subset of data compositions is focused on presenting specific insights as opposed to just general information. When most data compositions combine both visualizations and text, it can be difficult to discern whether a particular scenario falls into the realm of data storytelling or not." (Brent Dykes, "Effective Data Storytelling: How to Drive Change with Data, Narrative and Visuals", 2019)

"People do care about how they are measured. What can we do about this? If you are in the position to measure something, think about whether measuring it will change people’s behaviors in ways that undermine the value of your results. If you are looking at quantitative indicators that others have compiled, ask yourself: Are these numbers measuring what they are intended to measure? Or are people gaming the system and rendering this measure useless?" (Carl T Bergstrom & Jevin D West, "Calling Bullshit: The Art of Skepticism in a Data-Driven World", 2020)

"Ensure you build into your data literacy strategy learning on data quality. If the individuals who are using and working with data do not understand the purpose and need for data quality, we are not sitting in a strong position for great and powerful insight. What good will the insight be, if the data has no quality within the model?" (Jordan Morrow, "Be Data Literate: The data literacy skills everyone needs to succeed", 2021)

"A well-designed dashboard needs to provide a similar experience; information cannot be placed just anywhere on the dashboard. Charts that relate to one another are usually positioned close to one another. Important charts often appear larger and more visually prominent than less important ones. In other words, there are natural sizes for how a dashboard comprises charts based on the task and context." (Vidya Setlur & Bridget Cogley, "Functional Aesthetics for data visualization", 2022)

"Parallel coordinates visually encode data using two dimensions of spatial position. Of course, any individual axis requires only one spatial dimension, but the second dimension is used to lay out multiple axes. The scalability is high in terms of the number of quantitative attribute values that can be discriminated, since the high precisionchannel of planar spatial position is used. The exact number is roughly proportional to the screen space extent of the axes, in pixels. The scalability is moderate in terms of number of attributes that can be displayed: dozens is common. As the number of attributes shown increases, so does the width required to display them, so a parallel coordinates display showing many attributes is typically a wide and flat rectangle. Assuming that the axes are vertical, then the amount of vertical screen space required to distinguish position along them does not change, but the amount of horizontal screen space increases as more axes are added. One limit is that there must be enough room between the axes to discern the patterns of intersection or parallelism of the line  segments that pass between them." (Tamara Munzner, "Visualization Analysis and Design", 2014)

"The idiom of parallel coordinates is an approach for visualizing many quantitative attributes at once using spatial position. As the name suggests, the axes are placed parallel to each other, rather than perpendicularly at right angles. While an item is shown with a dot in a scatterplot, with parallel coordinates a single item is represented by a jagged line that zigzags through the parallel axes, crossing each axis exactly once at the location of the item’s value for the associated attribute. " (Tamara Munzner, "Visualization Analysis and Design", 2014)

"The idiom of scatterplots encodes two quantitative value variables using both the vertical and horizontal spatial position channels, and the mark type is necessarily a point. Scatterplots are effective for the abstract tasks of providing overviews and characterizing distributions, and specifically for finding outliers and extreme values. Scatterplots are also highly effective for the abstract task of judging the correlation between two attributes. With this visual encoding, that task corresponds the easy perceptual judgement of noticing whether the points form a line along the diagonal. The stronger the correlation, the closer the points fall along a perfect diagonal line; positive correlation is an upward slope, and negative is downward." (Tamara Munzner, "Visualization Analysis and Design", 2014)

📈Graphical Representation: Tree (Definitions)

"A complex data structure built from nodes, each of which points to two or more other nodes." (Jesse Liberty, "Sams Teach Yourself C++ in 24 Hours" 3rd Ed., 2001)

"In the hierarchical data mode, a single entity hierarchy." (Jan L Harrington, "Relational Database Design and Implementation" 3rd Ed., 2009)

"A structure for data relationships where all relationships are one-to-many and no child entity may have more than one parent entity." (Jan L Harrington, "SQL Clearly Explained" 3rd Ed., 2010)

"A graph in which child nodes do not have more than one parent. SEE ALSO chart; graph; structure, tree." (DAMA International, "The DAMA Dictionary of Data Management", 2011)

"A hierarchy of things from the same population. The things could be a) instances from a population represented by a single type icon representing the population of instances, and a reflexive relationship on that type, or b) types from the set of types defined in a database represented by a tree structure where each node of the tree is a population of instances of the same type. In the first case, it is the instances that form a tree structure, and in the second, it is the types that form a tree structure. The latter is called a hierarchical data structure." (DAMA International, "The DAMA Dictionary of Data Management", 2011)

"A linked data structure that forms a hierarchy where nodes at higher levels know about a subset of the nodes in the level below them. Each node in a tree can only be reached from a single node in the level above it." (Mark C Lewis, "Introduction to the Art of Programming Using Scala", 2012)

"A structure with a unique starting node (the root), in which each node is capable of having multiple child nodes, and in which a unique path exists from the root to every other node" (Nell Dale et al, "Object-Oriented Data Structures Using Java" 4th Ed., 2016)

"A tree is a constrained graph. Trees are directed graphs because the 'parent of' relationship between nodes is asymmetric: the edges are arrows that point in a certain direction. Trees are acyclic graphs, because if you follow the directed edges from one node to another, you can never encounter the same node twice. Finally, trees have the constraint that every node (except the root) must have exactly one parent." (Robert J Glushko, "The Discipline of Organizing: Professional Edition, 4th Ed", 2016)

"Trees consist of nodes joined by edges, recursively nested. When a single, root dictionary is connected to child nodes that are themselves dictionaries, we say that the dictionaries are nested into a kind of tree structure." (Robert J Glushko, "The Discipline of Organizing: Professional Edition" 4th Ed., 2016)

"Hierarchical data structure where each node may have any number of child nodes, but only one parent node (with the exception of the root node, which has no parent)." (Karl Beecher, "Computational Thinking - A beginner's guide to problem-solving and programming", 2017)

📈Graphical Representation: PERT Chart (Definitions)

"A type of network planning chart." (Michael S Dobson, "The Juggler's Guide to Managing Multiple Projects", 2003)

"Diagram that displays the dependency relationships between tasks." (Clyde M Creveling, "Six Sigma for Technical Processes", 2006)

"Diagram that displays the dependency relationships that exist between tasks and helps to discern the variation in expected task time." (Lynne Hambleton, "Treasure Chest of Six Sigma Growth Methods, Tools, and Best Practices", 2007)

"Project Evaluation and Review Technique; a graphical representation of work tasks and their predecessor and successor relations." (Bruce P Douglass, "Real-Time Agility", 2009)

"a type of chart used in project management, where tasks are represented as circles, and arrows between tasks are used to show the sequence and task dependencies." (Bill Holtsnider & Brian D Jaffe, "IT Manager's Handbook" 3rd Ed., 2012)

"A graph that uses nodes (circles or boxes) and links (arrows) to show the precedence relationships among the tasks in a project." (Rod Stephens, "Beginning Software Engineering", 2015)

🚧Project Management: Program (Definitions)

"(1) A project. (2) A collection of related projects and the infrastructure that supports them, including objectives, methods, activities, plans, and success measures." (Sandy Shrum et al, "CMMI®: Guidelines for Process Integration and Product Improvement", 2003)

"A set of projects pointed toward the same objective." (Steve Williams & Nancy Williams, "The Profit Impact of Business Intelligence", 2007)

"A group of related projects managed in a coordinated way to obtain benefits and control not available from managing them individually. Programs may include elements of related work outside of the scope of the discrete projects in the program." (Cynthia Stackpole, "PMP® Certification All-in-One For Dummies®", 2011)

"A collection of projects with a common success criteria under integrated management. These projects consist of people, technology, and processes aimed at implementing significant business and technology change. A program is a major enterprise initiative, an element in the overall business strategy and direction." (Paul C Dinsmore et al, "Enterprise Project Governance", 2012)

"A portfolio of projects and initiatives managed together - sharing something critical like joint objectives or a common resource pool." (Mike Clayton, "Brilliant Project Leader", 2012)

"A group of related projects, subprograms, and program activities that are managed in a coordinated way to obtain benefits not available from managing them individually." (PMI, "Implementing Organizational Project Management: A Practice Guide", 2014)

"An endeavor that seeks to deliver benefits via activities that by their nature have uncertain outcomes. The uncertainty associated with programs dictates that they need to be managed adaptively, so that their strategies and plans can be modified in response to emergent outcomes. As a result, programs may be highly complex. The outcomes required by programs are pursued via projects, subprograms, and other program-related activities." (Richard J Heaslip, "Managing Complex Projects and Programs", 2014)

"Coordinated set of change projects that provide business benefits to the organization." (Gilbert Raymond & Philippe Desfray, "Modeling Enterprise Architecture with TOGAF", 2014)

"Related projects, subsidiary programs, and program activities that are managed in a coordinated manner to obtain benefits not available from managing them individually." (Project Management Institute, "A Guide to the Project Management Body of Knowledge (PMBOK® Guide)" 6th Ed., 2017)

"A group of related projects, subsidiary programs, and program activities managed in a coordinated way to obtain benefits not available from managing them individually. May include work outside the scope of projects but will always have two or more projects within its scope." (H James Harrington & William S Ruggles, "Project Management for Performance Improvement Teams", 2018)

"Projects/activities planned and managed together to achieve an overall set of related objectives and outcomes" (ITIL)

📈Graphical Representation: Flow Chart (Definitions)

"A flow chart is a graphic method to show pictorially how a series of activities, procedures. operations. events. ideas, or other factors are related to each other. It shows the sequence, cycle. or flow of these factors and how they are connected in a series of steps from beginning to end." (Robert Lefferts, "Elements of Graphics: How to prepare charts and graphs for effective reports", 1981)

"A flow chart is a diagram that visually displays interrelated information such as events, steps in a process, functions, etc., in an organized fashion, such as sequentially or chronologically. The things being represented can be tangible or intangible." (Robert L Harris, "Information Graphics: A Comprehensive Illustrated Reference", 1996)

"A pictorial representation of the flow of logic." (Greg Perry, "Sams Teach Yourself Beginning Programming in 24 Hours" 2nd Ed., 2001)

"An activity that defines the flow chart modeling style. Child activities can be added to this activity, and direct connections can be defined between the activities to control the flow of execution." (Bruce Bukovics, "Pro WF: Windows Workflow in .NET 4", 2010)

[flowcharting:] "The depiction in a diagram format of the inputs, process actions, and outputs of one or more processes within a system." (Cynthia Stackpole, "PMP® Certification All-in-One For Dummies®", 2011)

"A means of depicting a process from beginning to end, using flowcharting symbols to indicate the type of tasks in the process." (Charles Cooper & Ann Rockley, "Managing Enterprise Content: A Unified Content Strategy" 2nd Ed., 2012)

[flowcharting:] "A graphical method for depicting the movement of items, customers, or information though a system. Although many of the symbols were originally developed with information processing in mind, they have been adapted in various forms to map other process flows." (Kenneth A Shaw, "Integrated Management of Processes and Information", 2013)

"The depiction in a diagram format of the inputs, process actions, and outputs of one or more processes within a system." (For Dummies, "PMP Certification All-in-One For Dummies" 2nd Ed., 2013)

"A diagram that represents an algorithm or process. Some organizations use flow charts in troubleshooting guides to help technicians diagnose problems. They are also useful when developing expert systems." (Darril Gibson, "Effective Help Desk Specialist Skills", 2014)

📈Graphical Representation: Heatmaps (Definitions)

"A chart where one set of values is represented by areas of rectangles, and other sets of values are represented by colors. [...] the size of a rectangle reflects its importance, and color conveys the speed of change." (DAMA International, "The DAMA Dictionary of Data Management", 2011)

"A type of map presentation where the intensity of color for each polygon corresponds to the related analytical data. For example, low values in a range appear as blue (cold) and high values as red (hot)." (Microsoft, "SQL Server 2012 Glossary", 2012)

"A heat map is a graphical representation where the data values are mapped to color intensities. The name heat map refers to the popular color-encoding where high values are encoded to hotter colors such as reds and yellows and smaller values are encoded to greens and blues. However, a heat map can have any color encoding that is convenient." (Ira Greenberg et al, "Processing: Creative Coding and Generative Art in Processing 2", 2013)

"A color-coded matrix generated by stakeholders voting on risk level by color (e.g., red being highest)." (Robert F Smallwood, "Information Governance: Concepts, Strategies, and Best Practices", 2014)

"Heatmap is a visualization that displays the expression values of the features (genes, exons, etc.) using a color scale. Features are typically arranged in columns (samples) and rows (features) as in the original data matrix. Each feature-sample pair is represented with a small rectangle that is colored according to its expression. Often both samples and features are hierarchically clustered before constructing the heatmap, and clustering is represented with a tree on the left and top from the colored data matrix." (Eija Korpelainen et al, "RNA-seq Data Analysis: A Practical Approach", 2014)

"[Heatmap is] a special kind of tile map, which is a two-dimensional graphical representation of data having values displayed using colors instead of numbers, text, or markers (data  points). It provides an easy way to understand and analyze complex/huge data sets. It applies blurring of markers and shading (dark or light) on the basis of the total amount of overlap."  (Yuvraj Gupta, "Kibana Essentials", 2015)

"Heatmaps are two-dimensional graphical representations of data where the values of a variable are shown as colors." (Agnieszka Bojkon, "Informative or Misleading? Heatmaps Deconstructed", [in "Human-Computer Interaction: New Trends, 13th International Conference"] 2009) 

"A heat map is a graphical representation of a table of data. The individual values are arranged in a table/matrix and represented by colors. Use grayscale or gradient for coloring. Sorting of the variables changes the color pattern." (Kristen Sosulski, "Data Visualization Made Simple: Insights into Becoming Visual", 2019)

"A heat map is a thematic map in which areas are shaded or patterned in proportion to the measurement of the statistical variable being displayed on the map, such as population density or per capita income. Heat maps provide an easy way to visualize how a measurement varies across a geographic area or show the level of variability within a region." (Sankar N. Nair & E S Gopi,  "Deep Learning Techniques for Crime Hotspot Detection", 2020)

"A heatmap is a visualization where values contained in a matrix are represented as colors or color saturation. Heatmaps are great for visualizing multivariate data (data in which analysis is based on more than two variables per observation), where categorical variables are placed in the rows and columns and a numerical or categorical variable is represented as colors or color saturation." (Mario Döbler & Tim Großmann, "The Data Visualization Workshop", 2nd Ed., 2020)

"Heatmap is another representational way in which the frequencies of the various parameters of the data set is represented in different colors, much like an image captured by a thermal imaging camera in which the graph consists of varying temperatures and the temperatures are differentiated according to the colors." (Shreyans Pathak & Shashwat Pathak, "Data Visualization Techniques, Model and Taxonomy", 2020)

"A heatmap is a plot that shows the magnitude of a phenomenon as color in two dimensions. The color variation may be by hue or intensity." (Swapnil Saurav, "Python Apps on Visual Studio Code", 2024)

📈Graphical Representation: Bar Chart (Definitions)

"A graphic that uses rectangular bars in varying lengths to represent comparisons of amounts." (Jennifer George-Palilonis, "A Practical Guide to Graphics Reporting", 2006)

"A chart that shows bars to illustrate frequencies or values for individual categories." (DAMA International, "The DAMA Dictionary of Data Management", 2011)

"A horizontal bar chart used in project management; a graphical illustration of a schedule that helps to plan, coordinate, and track specific tasks in a project." (DAMA International, "The DAMA Dictionary of Data Management", 2011)

"A graphic display of schedule-related information. In the typical bar chart, schedule activities or work breakdown structure components are listed down the left side of the chart, dates are shown across the top, and activity durations are shown as date-placed horizontal bars." (For Dummies, "PMP Certification All-in-One For Dummies" 2nd Ed., 2013)

"A graphical representation of project activities shown in a time-scaled bar line with no links shown between activities." (Peter Oakander et al, "CPM Scheduling for Construction: Best Practices and Guidelines", 2014)

"A chart that uses horizontal bars to represent values." (Faithe Wempen, "Computing Fundamentals: Introduction to Computers", 2015)

"It is a statistical presentation technique that represents frequency data as horizontal or vertical bars. Bar charts are used to represent time series and quantitative data." (K  N Krishnaswamy et al, "Management Research Methodology: Integration of Principles, Methods and Techniques", 2016)

📈Graphical Representation: Gantt Chart (Definitions)

"A chart that represents project activities as horizontal lines whose length shows the time span of each activity. The ends of each line correspond to the start and finish milestones, indicated by triangles. Progress is indicated by filling in the triangles when milestones are completed. Gantt charts are useful for simple schedules, but do not show task dependencies. Resource loaded networks (RLNs) should be used for projects with many interdependent tasks." (Richard D Stutzke, "Estimating Software-Intensive Systems: Projects, Products, and Processes", 2005)

"A bar chart (named after Henry Gantt) that shows when tasks start and finish as well as the relationships between tasks." (Bonnie Biafore, "Successful Project Management: Applying Best Practices and Real-World Techniques with Microsoft Project", 2011)

"A horizontal bar chart used in project management; a graphical illustration of a schedule that helps to plan, coordinate, and track specific tasks in a project. Named for Henry Gantt." (DAMA International, "The DAMA Dictionary of Data Management", 2011)

"A tool developed by Henry Gantt that helps a project manager to plan, communicate and manage a project. Shows project activities as horizontal bars, with a length that represents the duration of the task, and places them against a fixed timeline." (Mike Clayton, "Brilliant Project Leader", 2012)

📈Graphical Representation: Infographic (Definitions)

"an infographic is defined as a visualization of data or ideas that tries to convey complex information to an audience in a manner that can be quickly consumed and easily understood." (Mark Smiciklas, "The Power of Infographics: Using Pictures to Communicate and Connect with Your Audiences", 2012)

"Tools and techniques involved in graphical representation of data, mostly in journalism, art, and storytelling." (Anna Ursyn, "Visualization as Communication with Graphic Representation", 2015)

"Use of visual images such as charts, graphic organizers, diagrams, photos, etc. in teaching and learning." (Esther Ntuli, "Active Learning Strategies in Technology Integrated K-12 Classrooms", 2015)

"Information graphics that are visual representations of data or information." (Julie A Delello & Rochell R McWhorter, "New Visual Literacies and Competencies for Education and the Workplace", 2016)

 "Information or data represented as a visual image in a chart or diagram. An infographic can be an excellent way to conceptualize dense text or numbers in ways that appeal to the eye and engage the reader." (Kindra Cotton et al, "Leveraging New Media as Social Capital for Diversity Officers", 2016)

"A short-form, visual representation of information, data, or knowledge presented through simple images that highlight patterns, trends, or insights. Simplified from the term information graphic." (Jonathan Ferrar et al, "The Power of People: Learn How Successful Organizations Use Workforce Analytics To Improve Business Performance", 2017)

[Infographic Map:] "Diagrammatic 'visualizations' of the space of knowledge and its associative logics that allows to use its own 'form' as a tool to 'act' on complex systems of knowledge." (Alessandra Cirafici & Alessandra Avella, "A Virtual Museum of Pompeii 'ex Votos': Design Strategies", 2020)

"Graphic visual representations of information, data or knowledge intended to present complex information quickly and clearly." (Jing Zhou, "Connecting Art, Culture, Science, and Technology", 2021)

"a form of communication that uses visual language and text. Both languages are complementary, part of a whole, and therefore can’t be understood when separate" (Jaime Serra)

"An infographic is a visual form of content used as a medium to represent and share information, knowledge, and data." (Infographic World)

"An infographic is an edited, summarized presentation of data selected by a designer to tell a story. A visualization is a display designed to explore data so every reader will be able to extract his or her own stories" (Alberto Cairo)